Tag Archive: ray carsillo


After I got my hands on the first two hours of Forza 6‘s new Career Mode, I sat down with Turn 10 Studios’ Content Director John Wendl, and learned just what adding rain to Forza Motorsport 6 will do to gameplay.

Along with this, my discussion with John touched on changes to the game’s economy, Career Mode, and new additions like Mods and Drivatar AI tuners and what they will bring to the game.

If you want to see more uncut gameplay from our session with Forza 6, check out our qualifying races video.

Forza Motorsport 6 will be available on September 15th exclusively for Xbox One.

When you start up Forza Motorsport 6‘s Career Mode for the first time, you’ll have to prove that you’re ready to handle the tracks it’ll throw at you by taking part in three qualifying races.

These races will show off the game’s newest features, while also giving you a prime chance to get those tires warm again and earn some easy credits to start filling out your garage with the 460 cars that will be featured at launch. Here are those three races, as I ran them, in their entirety.

If you want to learn more about Forza 6 before it comes out, check out our interview with Turn 10 Studios’ Content Director, John Wendl, as we got to talk about how rain affects the gameplay, the new Mods feature, and more.

Forza Motorsport 6 will be available exclusively for Xbox One on September 15th.

A temple better left untapped

Last year, Hitman GO’s board game aesthetic and challenging puzzles provided a breath of fresh air for everyone’s favorite bald murder machine while still channeling the stealth and tactics the main series is known for. Not satisfied with just giving Agent 47 the tabletop treatment or continuing to build new boards for the burgeoning spin-off franchise, Square Enix Montreal decided Lara Croft could use her own GO-style makeover. Unfortunately, they should have stuck with the assassin.

Lara Croft GO sees the titular tomb-raiding heroine in search of an item called the “Atlas of Beyond”. While exploring a temple that supposedly houses the artifact, Croft accidentally awakens the Queen of Venom, a gargantuan snake so large that it could slurp Lara up whole with one snap of its massive jaws. She must now find the Atlas while dodging both the Queen and the temple’s many traps if she has any hope of telling the tale of her latest adventure.

Lara Croft GO is almost nothing like its predecessor, making it all the more curious that it carries the GO name brand. The change you’ll most likely notice immediately is the scrapping of the board game motif. Even though it is broken up into stages, the tomb that Lara is exploring is one world that tries—and often fails due to a lack of general explanation—to convey a continuous narrative. The characters are no longer simplistic tokens, but fully realized models that move like you’d expect from more traditional games. The stages themselves have lost all notion of being part of a tabletop setup besides the path lines drawn for Lara to follow as she and the enemies she’ll encounter move one spot one finger swipe at a time. This gives the game an art-style more reminiscent of a cheap Tomb Raider knockoff than something that has an entirely original look to it like Hitman GO did.

The only other gameplay aspect besides movement that carries over between the two GO games is that Lara can only kill enemies from the side or from behind. Giant spiders, snakes, and humanoid lizard people are some of the creatures Lara will encounter while searching for the Atlas. Confusingly, though, Lara carries her iconic dual pistols throughout the game. It makes little sense for her to be wielding them if she can only attack from the side or from behind. And if she finds a spear or a torch, then she can approach enemies from the front or from a distance. Since when are torches and spears more powerful than guns? I found it to be an odd choice to say the least that this was the one rule brought over.

Lara Croft GO also at no point feels like it tries to do justice to the Tomb Raider games. Hitman GO’s strategic requirement lined up perfectly with what Hitman is known for. My hope was that LC GO would find a way to incorporate some sense of exploration, or branching paths at least, to pay homage somehow to Tomb Raider. If Square Enix Montreal had kept pushing the board game feel of everything, maybe they could have gone with a Betrayal at House on the Hill style, with random tiles being added to the world mid-stage the more Lara explored instead of everything being laid out on a single path for you from the beginning. This also could have helped with replayability, but as is, Lara Croft GO is too linear an experience to be that enjoyable, and completely ignores what it means to be Lara Croft.

While on the subject of replayability, this is something that Lara Croft GO sorely lacks. Hitman GO offered up multiple objectives per stage, allowing players to continue forward if they wished after accomplishing the hit, but rewarded players who could master every stage, which often required multiple playthroughs. LC GO has rewards, too, with alternate costumes for Lara if you find the various hidden items on each stage. The problem is that all 120 of them are in plain sight as you advance, and only need a fourth-wall breaking tap—as in Lara doesn’t need to be anywhere near the collectible—to retrieve them, making them nigh-impossible to miss.

The one saving grace Lara Croft GO has is its puzzles. About 40 different stages will test your mental acuity as you navigate through winding temple paths, looking for the proper solution to the problem placed before you. Switches that control moving platforms, trap doors and crumbling pillars, even large boulders that roll after Lara and timed doors that threaten to cut you off from advancing will all need to be overcome if you hope to escape. The stages are broken up into five different sections of the temple and ramp up in difficulty at a steady pace that will push you, but should never break your will to keep going. All told, I was able to one hundred percent Lara Croft GO in just over four hours, so even the most complex puzzles weren’t the greatest of challenges.

Lara Croft GO is a decent puzzle game to kill a few hours with, but lacks all the finer things that made its predecessor in the GO series so much fun. It abandons the GO aesthetics, and at the same time, fails to channel anything about the Tomb Raider series beyond the setting—making me question why Square Enix thought Lara would adapt at all to this format to begin with. Even for the mobile price of $4.99, I’d be hard-pressed to recommend this to anyone but the most fervent of Lara loyalists.

Developer: Square Enix Montreal • Publisher: Square Enix • ESRB: N/A • Release Date: 08.27.15
5.0
Lara Croft remains a poor choice that never fit for the GO-style that was established with Hitman GO last year, even if you can find a bit of fun in the short, simple puzzles.
The Good Inventive puzzles that ramp up nicely in difficulty.
The Bad A lack of overall challenge. Fails to capture the essence of the Tomb Raider series or continue what was started with Hitman GO.
The Ugly It’s been so long since we’ve seen Lara made of so few polygons.
Lara Croft GO is available on iOS, Android, and Windows Phone. Primary version reviewed was on iOS using an iPad 2. Review code was provided by Square Enix for the benefit of this review.

A new gridiron great

Madden has been unpredictable the past few years. Between a slow mastering of the new technology brought about by a console generation shift, and the decision to focus on singular parts of the on-field product due to their annual cycle, the product just hasn’t come together in a way the folks down at EA Tiburon probably hoped it would. But playing the proverbial long game seems to have finally paid off, with Madden NFL 16 providing an experience that football fans of all passion levels should be able to get excited for.

The biggest gameplay change is evident from the moment you start your first game or training drill. After zeroing in on the trenches the past two years, it is finally time for Madden to air the ball out. Quarterbacks can now add touch to thrown balls by double tapping a receiver’s icon for a pass that falls in between the bullet and lame duck passes of years past. This is great for when you’re trying to hit a small window between multiple defenders and one of them happens to be in front of your intended target. You can also use the left bumper and trigger to modify your passes even further, throwing them high or low and into a spot that only your receiver can make the play on them at.

Receivers also have new options when it comes to how they actually catch the ball. By holding different face buttons with the ball in mid-air, players can prepare for a RAC (run after catch), Aggressive catch, or Possession catch. The Possession catch will make your receiver focus on just securing the catch and getting their feet in bounds if near a sideline. The Aggressive catch, by contrast, allows spectacular plays to happen. New dynamic animations occur when your receiver leaps into the air to try to snag the ball at its highest point, but the gamble leaves themselves open to having the ball knocked loose, since they’re unable to defend themselves. Finally, the RAC is great for when you want to get a lot of yards after a play since your receiver starts turning up field before they even have the ball, but this can result in some unforced errors with the receivers dropping the ball outright.

It wouldn’t be fair for the offense to get all the upgrades, though. Defenders can now choose to play the ball or the receiver. Being proactive and going for the ball can lead to more interceptions, deflections, and some impressive animations as both receiver and defender fall to the ground. Playing the receiver is great when you’re just trying to prevent yards after the catch, like on a pass in the flat and you want to keep the receiver from getting a first down.

The best part of the defensive upgrades has to be the fact that defensive backs can actually catch the ball in Madden NFL 16. No longer will players drop easy interceptions on lame duck passes or tipped balls like their hands are covered in grease. They’ll still drop an easy one every now and again, but not nearly at the rate seen in previous games.

These new features re-invigorate what had become one of the more stale parts of playing Madden, because each new pass can lead to plays you’ll never have seen before from the series. The upgraded catches offer up an interesting rock-paper-scissors dynamic that tests your reflexes in the best ways possible, since you only have split-seconds to decide both what receiver to throw the ball to but also how you want to catch it. And ball hawking as a defensive back is finally satisfying, because you know when you read the receivers properly and jump the route that you’ll be coming down with the ball most of the time instead of watching it hit your hands and fall harmlessly to the ground.

The new passing mechanics have also provided welcome indirect improvements by giving Madden some much-needed balance. Working on the ground game and offensive/defensive line play so much in previous iterations threw the gameplay completely out of whack and left us with an unrealistic experience. It was common for me to have defensive linemen with 50-plus sacks each year and running backs with nearly 3,000 yards rushing. In order to make sure your QB actually has the time to throw the ball, defensive players won’t always beat an offensive lineman anymore—even when perfectly timing the snap. I still have great seasons with my defensive linemen, with guys like Damontre Moore of the Giants getting 15 sacks in my first franchise year, but those ridiculous numbers from previous games are a thing of the past.

The same goes with running the ball. Instead of averaging 175 yards a game, I found Shane Vereen averaged a much more realistic 90 yards a game this year, and the extra benefit of this is it improved my success with the play-action pass. Finally, my stat sheet looked more like an actual football game and allowed me to truly test myself against either the AI or human opponents.

Speaking of playing against other people, Madden’s suite of online modes has a new crown jewel. Draft Champions gives you a team of mediocre players (around 70 overall), and then tasks you with putting together a team of superstars through a fantasy draft. The problem is that you only have 15 rounds in the draft and 22 spots to fill, meaning every team will have some holes. Finding your opponent’s weaknesses—and minimizing your own—puts your football acumen to the test like never before, especially because no two drafts are ever the same. It’s also a fun way to just jump into the action if you’re not into the hardcore simulation of micro-managing a franchise.

Draft Champions touts a huge risk/reward factor because there are some incredibly tough decisions that you’ll have to make over the course of your draft. Since there’s no guarantee certain positions will come up, every time you pass on two other players when you make your singular choice each round, there’s a chance you’ll never see that position come up again. I truly believe that one of the games I lost while playing was because I scoffed at Matthew Stafford (81 overall) of the Lions in the sixth round in the hopes another QB would come up. One never did, and I was stuck with Austin Davis (70 overall), the pitiful backup for the St. Louis Rams.

Besides Draft Champions, the ever-popular Madden Ultimate Team returns. While not much has changed in regards to collecting cards, trying to improve your line-up, and then facing-off against people online in order to move up the virtual divisions, the special single player challenges that allow you to hone your team and relive the most exciting moments from last year’s NFL season have been tweaked. Now, these challenges are focused more on specific moments, typically towards the end of games, to offer quicker, more easily digestible gameplay snippets. You’ll progress faster with your MUT while also being thrown right into the action, providing an experience that’s easier to get into and requires far less of a time commitment.

Of course, playing online might not be your thing. Maybe this is your first time experiencing a Madden game and online is a bit intimidating. In that case, Skills Trainer returns with all new challenges and tutorials specifically focused around the new gameplay features added this year. A new 25-challenge Gauntlet has also been created to truly put your skills to the test.

You could also be a Madden veteran, but the idea of grinding against the computer might be more your speed. Connected Franchise is back and gives you the opportunity to control your favorite NFL team and turn them into a dynasty. Whether an owner, coach, or player, you’ll be directly involved with how your team hopefully becomes world-beaters. And if you choose to be an owner or coach, a brand new, more user-friendly interface makes it easier than ever to scout potential superstars in the draft, make lineup changes, or sign and trade current players on your roster. There is also a new XP system featuring season-long, game-to-game, and even drive-to-drive dynamic goals for players and coaches to help them develop into living legends (although the mid-game graphics tracking these goals are a bit of a mess). If you like being in control, Connected Franchise offers up more than ever before and makes it easier to maintain your perfect football legacy.

Even with EA Tiburon’s plans seemingly coming together in Madden NFL 16, there are still a few tiny flaws with this year’s product. Despite visuals that look better than ever, glitches remain on both the animation and AI side of things. The occasional clipping of two players trying to occupy the same space in transitional scenes between plays. Inhuman ragdoll movements after a tackle. Unnatural ball trajectories when released from the QB’s hand. Players standing perfectly still in the middle of the field before, during, and after a play—or, when they do move, it’s like they’re on an electric football field and not moving smoothly like their ten teammates. These are, admittedly, minor annoyances, but are still enough to break the immersion, especially when those players who refuse to move cost you big plays on offense or defense.

While on the subject of animation, those assigned to Aggressive catches quickly become tired. Seeing everyone on the field trying to replicate the Odell Beckham catch from last year against Dallas is nice the first time, but it’s not special if you do it every play. And you know what else is tired? Phil Simms and Jim Nantz’s commentary. I’m so sick of hearing Simms comparing football to Nantz’s golf game.

The only truly significant issue I experienced, though, came with my limited time when playing online. Usually I was able to connect with minimal issues, but every now and again, I wouldn’t be able to match with other players. Once we connected everything was fine, but it was those initial moments with the matchmaking that had me nervous. These could be just pre-launch bugs that’ll be fixed with the day one patch—and it only happened maybe one out of every five times I tried to connect—but it might be something to keep an eye out for on launch day.

Even with these quibbles, Madden NFL 16 is the best game the franchise has seen in quite some time. It provides fun pick-up and play options along with changes in gameplay mechanics that the hardcore players have been waiting literal years for. And what a concept, an EA Sports game that adds new modes instead of cutting old ones out. Draft Champions is going to change the face of Madden online and should rival MUT for where players devote most of their time. All this should make football fans everywhere rejoice that it is once again Madden Season.

Developer: EA Tiburon • Publisher: EA Sports • ESRB: E – Everyone • Release Date: 08.25.15
9.0
New gameplay mechanics and the new Draft Champions mode mean Madden NFL 16 finally delivers a complete football experience that both casual and hardcore fans should be able to enjoy right from the start.
The Good New passing mechanics have revolutionized the offensive side of the ball. Draft Champions mode is my new online addiction.
The Bad The occasional AI bug is still frustrating. Commentary needs an overhaul.
The Ugly I kept looking to see if they only put three fingers on one of Jason Pierre-Paul’s hands after he blew a couple off in an off-season fireworks accident. (They didn’t.)
Madden NFL 16 is available on Xbox One, PS4, Xbox 360, and PS3. Primary version reviewed was for Xbox One. EA Sports provided travel to a review event to test out some of the online capabilities for Madden and provided a retail copy for the benefit of this review. 

Even after a relatively weak showing last year, I had hope that the second new-gen outing for the WWE’s annual wrestling franchise would be able to right the last game’s wrongs and bring the series to a new level. After all, it’s very common that yearly sports releases require an extra year or two before they hit their stride with new technology. Unfortunately, if everything I saw at the hands-on reveal of the game at SummerSlam this year was any indicator, WWE 2K16 is still a ways away from being a main event attraction in gaming’s always crowded fall season.

The demo we were given had access to two modes. The first is your standard Exhibition, which allowed us to tussle with a dozen or so revealed wrestlers from the company’s massive roster. We could do your standard one-on-one face-off, or wrestle as a tag team. I quickly set up a match between current WWE World Heavyweight and US Champion Seth Rollins (who I controlled) and Brock Lesnar, creating a rematch of sorts from the WWE Battleground PPV from a few weeks ago.

As soon as Brock started making his way to the ring, I was able to try out one of the new features the game touts—which gives wrestlers the option to run out during their opponent’s entrance to sneak attack them. With the element of surprise on my side, I began pounding on Brock as we slowly fought our way down the steel ramp. To my chagrin, after a couple of minutes the referee called off the match, much like he would on Monday Night RAW, and the match was declared a no-contest.

When offered a rematch I took it. This time, when I jumped Brock (again, not mandatory, but I was embracing my heel nature), I ran into the ring after clotheslining him, and Brock followed suit. After a quick, but very awkward cutscene that automatically positioned each wrestler on their starting marks—and which suddenly changed Seth’s clothes from his pre-match attire to what he more traditionally wears in the ring after a series of oddly timed cuts—the match started, with Brock at a slight disadvantage.

The idea of being able to run out during another wrestler’s entrance is a good one. It adds an element of unpredictability when playing with friends, and a sense of authenticity when compared to the product we see on TV every week. I think players need a better sense of when the referee is about to call the match off, because had I known that at first, I would have run into the ring much sooner in my first match—but otherwise this is a welcome addition.

Once the action got going in the right, however, I noticed an alarming problem: all the wrestlers felt particularly sluggish. In every match I played over the course of the evening, with different wrestlers from Wade Barrett to Daniel Bryan, it felt like they all had cement shoes on. This wasn’t just a problem in terms of speed, but also in how fights flowed. Gameplay was relatively unresponsive, with most matches devolving into the counter-fests that had plagued previous iterations of the game. We can only hope that everything is tightened up in the two months before launch, but this was disappointing to see to say the least.

Another issue that has troubled the WWE series is glitches, and this demo was chock full of them. The awkward resetting of the wrestlers at their starting marks was just the beginning; clipping issues, broken animation and ragdoll effects, and awkward cutscenes and replays happening in inopportune moments—like when I was going for a pinfall against my opponent—were all prominent throughout my playtime. While all of these are things that will hopefully be fixed by the final version, with 120 wrestlers on the roster, it’d be shocking if they all could be cleaned up by October’s launch. Even some of the wrestlers themselves seemed unfinished, with the quality difference between characters models for guys like Wade Barrett and Brock Lesnar being extremely evident.

Once a given match gets underway, whether you jump your opponent or not, the combat is the same as it has been in years past. Last year’s stamina meter returns, along with three health bars. You still use the face buttons on your controller to perform a series of strikes, grapples, Irish whips, and finally the pin. The only difference I noticed immediately in the ring is the quicktime grapples that started matches last year have been removed. It’s unclear whether or not they can be turned back on in options, but they were clearly missing from the demo we had.

There is also a brand new pinning and submission system, with the latter being similar to what was seen in EA Sports UFC, where each person has a bar in a circular icon. The hold applier is trying to overlap the defender’s bar, and if they do so for a long enough time, the defender will tap out. It’s a nice change from the button mashing system of years past but definitely takes a few attempts to get used to.

The pinning system is still a timing-based mechanic similar to previous games, but instead of holding a button and then releasing it when a meter fills into a “sweet spot” (resulting in a kick out), there’s now a spinning bar in a circle that only requires a tap of the button in hopes of landing in the target area. The more health you have, the bigger that sweet spot is, but both myself and my opponents found it easier to kick out with this method. In fact, I was kicking out of pinfalls even after three of Brock Lesnar’s F5s, and the other player after two Pedigrees from me.

The tag match I played with Tyson Kidd and Cesaro versus the Lucha Dragons played out similarly, but the one observation I made there is that the AI for your partner is much smarter than it used to be. Whenever I went for a pinfall, my teammate would often intercept the opponent’s tag partner and prevent the pinfall from being broken up—whereas, in last year’s game, I often had to take out both opponents before I could attempt a pinfall. As long as I went for the pin closer to my corner than the opponent’s, there was a great chance my partner was going to jump into the ring and make sure we got the win.

The other mode I got to go hands-on with was 2K’s Showcase mode, which this year follows the career of Stone Cold Steve Austin. Besides tapping into that nostalgia factor for those of us who grew up in the Attitude Era, Austin had some of WWE’s best matches in the late 90s and early 2000s. The first of the mode’s sixteen chapters sees Austin in the finals of the 1997 King of the Ring against a hobbled Jake “The Snake” Roberts, who was reeling after receiving a Vader Bomb in the semi-finals. Just like previous years, meeting each match stipulation results in a full cutscene, and rewards that would be fitting for the Texas Rattlesnake, before unlocking the next chapter.

The new aspects that are trying to be added to WWE 2K16 this year seem like steps forward, but with foundational elements—like how the wrestlers feel and look when you play—still needing to be fixed before the game launches, I’m admittedly worried about this year’s entry. With a couple of months still before release, I’m hopeful the bumps can be smoothed out and that we’ll see a higher level of quality in the game modes we’ve yet to encounter. If not, WWE 2K may need to take a long look at itself as a franchise before being sent back down to a developmental territory to work on its gimmick.

I had a chance to go hands-on with the Assassin’s Creed Syndicate Gamescom demo recently, which allowed us to play as Evie Frye for the first time. The demo tasked us with eliminating Templar Lucy Thorne who has critical info on the location of the Shroud of Turin—one of the Pieces of Eden—and a prize that Evie has been hunting for some time at this point.

The demo also re-introduces us to the Blackbox Assassination Missions from Assassin’s Creed Unity. Evie has several opportunities at her disposal to try to get close to Lucy and make the kill.

For the sake of time, several inconsequential cuts were made removing some of Evie traversing through the environment (climbing buildings, sliding down every zipline with the rope launcher, etc.).

To get my full impressions of what I thought of the demo, be sure to check out my written preview from earlier in the week.

Assassin’s Creed Syndicate will be available for Xbox One, PS4, and PC on October 23.

To say that last year’s Assassin’s Creed Unity had issues when it launched would be an understatement. But for as many problems as it had, there were a few glimmers of good gameplay that the folks at Ubisoft Quebec have polished up and are re-implementing in their freshman effort, Assassin’s Creed Syndicate. Of these returning ideas, the most significant one might be the Blackbox assassination missions.

These open-ended efforts still task players with assassinating a high value Templar target and continue to offer up multiple paths to do so. You can take your time and use all of the extra distractions to your advantage for a cake-walk assassination, employ a few that better fit your fancy and your playstyle, or ignore them completely and charge head first into the fray, causing as much chaos as possible.

During my hands-on time with the Gamescom demo of Assassin’s Creed Syndicate, I had a chance to play one of these missions and—for the first time—take control of Evie Frye, the more level-headed of the twins that serve as Syndicate’s protagonists. Evie interestingly plays far more differently from her brother, Jacob, than I ever would have expected. While she still has the trademark tools of an assassin of the era, she carries more throwing knives than her brother, sports a special “Voltaic Bomb” that acts as a type of stun grenade when it explodes into electrified shrapnel, and can utilize a unique “Chameleon Skill” that allows her to completely blend into her environment, even seemingly out in the open, when she remains perfectly still.

More throwing knives make sense, and I didn’t mind the Voltaic Bomb (even if it did seem to be a bit of a stretch for the era) but I worry about the Chameleon Skill being almost game-breaking. Unfortunately, the demo was brief enough that I didn’t really get to put the Chameleon Skill through its paces to know for sure. Still, considering how important fixed hiding points have been in the past in Assassin’s Creed games, I’m hesitant about what on-demand invisibility might do to the balance of the game’s stealth.

In regards to the mission itself, Evie had to infiltrate a castle to find her target and hopefully obtain more info on the Shroud of Turin, a Piece of Eden she was hunting while Jacob was building his gangland army. There were three possible paths before her. The first would have her try to steal the keys from one of the castle guards, which would allow her access through each and every door. A second route would see her free a captured constable, who would then call police reinforcements to cause a ruckus and result in the perfect distraction. The third—and my personal favorite—method was for Evie to befriend a castle guard and pretend to be captured, allowing her to walk right up to her target to deliver the killing blow.

No matter the method I tried (I sampled all three), I found myself relying on the rope launcher far more than even I had originally expected to, since it provides such quick access around environments. And since it seems no one ever looks up in an Assassin’s Creed game, I was able to launch Evie across wide open courtyards, from tower to tower, to almost always put myself in the best position possible to make my kill.

The only time I got into trouble was when I botched the assassination of a guard I needed to remove before I attempted the fake capture plot. Another guard that I’d failed to notice turned a corner and saw me just as I finished stabbed his cohort in the neck. Needing a quick escape, I naturally wanted to turn back to the rope launcher. In the heat of the moment, however, I found myself fumbling over the brief window of time it takes to line up shots with the gadget—although I would finally recover and make my getaway on foot.

Now, I hate comparing two unrelated games, but I couldn’t shake the feeling that I’d been ruined by the simplicity of Batman’s grappling hook in the Arkham games. I was so used to just pressing a button and launching to the nearest perch, away from danger, that aiming to line up my escape felt foreign. I’m sure that once I’ve spent more time with Syndicate, I’ll be able to unlearn my habits and use the rope launcher as intended, but for the moment I feel like the manual aiming could wind up leaving it a clunkier imitator of a feature we’ve already seen.

Rope launcher quibbles aside, it felt great to jump back into an assassination mission like this. Evie has a flourish all her own that makes her truly stand apart from how her brother plays. Jacob’s clear emphasis on fisticuffs from when I played the E3 demo and Evie’s penchant for stealth here are so obviously defined that each player should have an easy decision when they choose who to play as in the open world. And considering you’ll get a taste of both when you follow the main story, I wouldn’t be surprised if at least a few gamers find whole new ways to play and enjoy an Assassin’s Creed game when Syndicate drops on October 23.

A new trailer for Assassin’s Creed Syndicate released at Gamescom shows Jacob and Evie’s motivations for fighting the Templars in Industrial Revolution London.

This new trailer explores the psyches of the Frye twins a bit more while also highlighting some of the iconic locations the dual protagonists will get to explore as the fight against the Templars plays out all over London.

Assassin’s Creed Syndicate will be available on October 23 for Xbox One, PS4, and PC.

The EGM Crew recently moved into a new office. As an office-warming present, the fine folks at Trion Worlds sent us a piñata. The piñata was also to celebrate the launch of their new game Trove for the PC. Well, there’s only one thing that can be done with a piñata and luckily, Josh had a baseball bat in his car, and I have tremendous anger issues.

Unfortunately, the piñata was not full of candy, but instead little cubes to help promote the game. It was even more unfortunate for the rest of the crew that I realized there was no candy in the piñata while still holding the baseball bat.

As for the remains of piñata itself, it now hangs on my office wall as a trophy of my smashing ability.

I had a chance to capture a couple extra matches of Rainbow Six Siege‘s classic humans versus AI Terrohunt game mode recently. Here they are in all their glory.

Rainbow Six Siege will be available on December 1 for PS4, Xbox One, and PC.