Tag Archive: side-scrolling


No school like the old school

When compared to some of the EGM Crew, I’m admittedly kind of slow on the Indie uptake. Something that helps motivate me to take notice of the latest Indie darling that’s burning up the popular forums, though, is when it’s dripping with nostalgia from my 2D-game upbringing. The latest offering that fits that bill is a result of the one-man development wrecking crew that is Thomas Happ and Axiom Verge.

The action-adventure shooter puts players in the lab coat of a scientist named Trace. When one of his experiments accidentally triggers an explosion in the lab, Trace is knocked unconscious. Upon waking up, he finds himself on an alien world that proves to be quite hostile—and he has no recollection of what happened after the blast. Trace must now explore this unfamiliar landscape in the hopes to not only piece together his fractured memory but also find a way back home.

Trace’s story isn’t the centerpiece of Axiom Verge, though. In fact, it’s far from it. I only ever got small nibbles of the carrot that is solving the issue of Trace’s mysterious appearance on this alien planet, and many questions remained unanswered in the process of my playthrough. Normally, this would have me pulling my hair out. I’d be ready to come up with any number of loose connections to fit together what little plot I came across, filling in the blanks and creating a coherent timeline in my mind as best I could. Instead, Axiom Verge reminded me time and again, through its novel twists on stereotypical gaming devices and old-fashioned design, that the story is never the focus here—it’s always on the gameplay.

Axiom Verge is like a love letter to the original Metroid. It’s exploration tempered by a healthy dose of shooting all kinds of alien life-forms with a pinch of platforming, a wide assortment of weapons, and just enough narrative hooks to keep pushing you forward. Collecting a cornucopia of items that would open up more of the ever-expanding map, lengthening Trace’s health bar, or beefing up the various bioweapon blasters he comes across was a thrill as I watched my completion percentage climb. Deducing the patterns of gargantuan bosses with pixel precision became more and more of an obsession as I played, flashing me back to my childhood and the great gun battles of my gaming glory days. This is as solid a gameplay base as it gets.

In some aspects, however, Axiom Verge tries too hard to stay true to its gaming roots, and it could’ve take a page from other modern games in the genre to deliver a more pleasant overall experience. A prime example? The map system. The game would’ve been well served to include some sort of marker feature that I could’ve used to remind me the location of items I missed or areas I wanted to explore so that I could more efficiently plan my paths—especially considering the sheer size of the world.

A fast-travel system would’ve been welcome as well, because once I reached the 12-hour mark and collected around 80 percent of the items, I got really tired of schlepping back and forth across a map that features more than 700 unique rooms, gunning down the same enemies over and over. In fact, I pushed forth with the endgame sequence before hitting that magical 100-percent mark to prevent what had been a wonderful adventure up to that point from starting to feel like too much of a grind.

To that end, I realized that Axiom Verge truly shines when it breaks away from the restraints of the past it emulates and instead builds on top of those gameplay foundations. For instance, one of the most powerful weapons you get early on in your adventure is best described as a “glitch gun.” Firing its waves of distinctive radiation at walls comprised entirely of blocks of retro texture glitches from games of yesteryear will reveal new paths or items. Lambasting enemies with this gun, though, can have a wide array of effects—they might turn friendly toward Trace or simply become easier to defeat. When under the influence of the glitch gun, some enemies even open up new pathways; unwitting foes barrel through obstacles that would be indestructible by any other means. Taking an unwelcome by-product of past hardware limitations and development issues and turning it into a critical game component only encouraged more experimentation with each new room I entered, and it was a welcome twist on traditional 2D exploration.

The gameplay twists don’t end with just the weapons, though. You can use many items to bypass barriers—years of gaming experience has ingrained in us the need to hit a switch or acquire a key to make areas accessible, but that’s not the case here. Axiom Verge goes out of its way to remind you of the multitude of tools that open up the paths before you.

While on the subject of all those tools, though, Happ may have gone a little overboard in regards to how many items he crammed into Axiom Verge. One of the other reasons I gave up on that 100-percent run was that it dawned on me about halfway through my playthrough that a lot of weapons and items are useless. I’d say three-quarters of the guns are style over substance and offer little to no value in terms of furthering your exploration or combat proficiency.

And if you get stuck at any point—like I did toward the end of the game before finally figuring out one particular obstacle—and start doing literal laps around the world trying to figure out where to go next, it’s pretty damn frustrating when you stumble upon a secret room that you think may finally push things forward. Instead, you get a completely useless gun. It makes the otherwise tight design come off a bit haphazard, whereas the best Metroid-like games have a laser focus and no real overabundance of anything, especially when it comes to the weapons.

Working in the shadow of something as massive as Metroid and other games of that ilk is no easy task, though, and Axiom Verge does more than enough to earn its place among them. It manages to work within its limitations and still innovate in subtle-but-effective ways. Even with its classic motif, a little modern polish would’ve gone a long way, but it’s hard for me to be anything but immensely satisfied and impressed with Axiom Verge as a whole.

Developer: Tom Happ • Publisher: Tom Happ • ESRB: T – Teen • Release Date: 03.31.15
8.0
A wonderful throwback to a bygone era, Axiom Verge’s focus on classic gameplay provides a welcome change of pace, even if it could’ve benefitted from a hint of modern design.
The Good Old-school side-scrolling shooter action and exploration that could give Samus Aran a run for her money.
The Bad Too many useless weapons; the desperate need for a fast-travel system.
The Ugly Uruku, the giant, gun-toting slug boss.
Axiom Verge is available on PS4, with PS Vita and PC versions coming later. Primary version reviewed was for PS4. Review code was provided by Sony for the benefit of this review.

Robots Hate Your Freedom

Very rarely can you gather the entire concept of a game just from the title alone. But publisher Ubisoft’s and developer Demiurge’s Shoot Many Robots does just that as the title simply says it all. You play as P. Walter Tugnut, a redneck who has been stockpiling weapons and beer for years in his RV just waiting for the robot apocalypse. And then one day it actually happens. After destroying his beloved pick-up truck, Tugnut knows his day has come to Shoot…Many…Robots.

As soon as I started playing the game, I felt like I had been transported back to a childhood arcade where I was still feeding quarters into Metal Slug as I was given this somewhat cartoony, but still modern enough looking hero, with a bevy of weapons and an even larger horde of enemies to take on in classic side-scrolling fashion. And when I say there is a large horde of enemies, I’m easily talking 20-30 robots on screen at once, and 200-300 robots per level. And I used everything from conventional weapons like assault rifles and bazookas to some more sci-fi inspired weaponry like freeze guns, to grind the gears of these gyro driven automatons into dust.

An interesting dynamic thrown into the entire game though is an RPG-like leveling up system where Tugnut could unlock new weaponry and armor that allowed him to slide, double jump farther, carry more health restoring beer, or, of course, do tons more damage. This reward system helped keep the game play satisfying as you mowed down the metal monstrosities.

Unfortunately, even with these unique features throw into the old-school side-scrolling dynamic that Shoot Many Robots gives us, it can get monotonous as you work through three or four stages per level and you just keep taking down the same robots over and over again for the most part. The look and sound of the game is rather dull and lacks the vibrancy you’d prefer in this kind of game to help keep your senses stimulated considering the monotonous game play. And with no real story to tie everything together, this is more a true arcade game in every sense, but this could turn off players who prefer a deeper experience.

There were also times where I wish I could upgrade the individual weapons with laser sights or other goodies as the aiming function was clumsy at best. More often than not I found myself trying to jump or slide into a better position, or use the bullet reflecting melee technique, rather than aiming as I couldn’t tell half the time where I was shooting.

There is also a steep difficulty curve with Shoot Many Robots as after the first couple of levels the robotic horde gets to the point where they can easily surround and start to engulf you. Mid-chapter checkpoints do help alleviate frustration in many instances, but it seems whenever a new foe or environmental hazard is introduced, you will likely meet your doom as you try to figure out what to do about them while still beating back the blade-wielding ankle biters that make up the majority of the robotic force as the game just keeps throwing more and more bad guys your way and barely gives you a chance to breath.

Aside from the mid-chapter checkpoints, the game does have another arcade staple fortunately that can assist you as well and that is 4-player co-op. Having three of your friends come on board so you can have a redneck death dealing parade and leave a swath of robot carcasses in your wake does help a lot and co-op like this always makes this style of game a better experience in the long run.

Still, I think that even with its strong positives and nostalgia inspiring experience that Shoot Many Robots is best served in short, but fun doses. This doesn’t seem like the kind of game you’ll sit down for three consecutive hours for. Instead, maybe just grabbing a friend for 30 minutes before tackling a more hardcore game seems to be the right speed for this title. But if old-school side-scrolling arcade shoot ‘em ups are your thing, Shoot Many Robots definitely hits all the right buttons considering it’s $10 (800 MSP) price tag.

SUMMARY: A frantic side-scrolling shooter reminiscent of classics like Metal Slug that may become tiresome in long intervals, but is more than enjoyable in short bursts.

  • THE GOOD: Fun, frantic action in an old-school arcade style
  • THE BAD: Even mindless mayhem can get tedious at some point
  • THE UGLY: Rednecks with guns are always a scary proposition

SCORE: 8.0

Shoot Many Robots is available on Xbox 360 (XBLA), PS3 (PSN), and PC. Primary version reviewed was on Xbox 360.