Latest Entries »

Starbreeze Studios may have had one of the more shocking announcements of E3 2015, and it happened before the show even officially started!

As part of a pre-E3 preview event, the developer behind the Payday series, the Syndicate reboot, Brothers: A Tale of Two Sons, and many other games unveiled their brand new virtual reality headset called StarVR yesterday evening.

Being the resident EGM VR junkie, I was fortunate enough after the announcement to be the first person in the world outside of the studio to actually go hands-on (head-on?) with this new piece of hardware.

The demo we were given was based on Overkill’s The Walking Dead, which was also announced to be the first game for StarVR. It was explicitly stated, however, that the demo we played would not be part of the final game, but instead would convey a feel for the title, while more importantly, showing off what the headset could do.

In the demo, I was a recently infected person who was on his last legs. The pair of people I had been traveling with did not want to leave me behind, or at least not until they could get my car and some supplies from me. So, they strapped me into a wheelchair and gave me a shotgun. As they pushed me through the halls of a hospital, I would have to cover them. It was an absolutely beautiful looking rail-shooter experience, but I felt it was a tad too heavily scripted for my tastes. At the very least, though, it gave me a solid sense of what StarVR was all about as it really let me put the headset through its paces.

Starbreeze global brand director Almir Listo stated beforehand that the StarVR headset provides a 210-degree horizontal field-of-view, which is easily the largest of any VR headset revealed to date when you look at the 120-degrees of Microsoft’s Hololens, the 110-degrees offered with Oculus’s Crescent Bay and Valve’s ReVive, or Morpheus’ 100-degrees. I can confirm that in my experience, StarVR provides more peripheral vision than any headset I’ve tried (just Hololens eludes me at this point), and only when I looked to the extreme right or left could I see the very edges of the displays.

Speaking of display, StarVR touts a 5K resolution due to dual 5.5-inch screens. The picture for The Walking Dead was crisp, clear, and had no framerate drops, but I can’t definitively say it was better or worse than the others without putting them side-by-side. StarVR also features orientation and positional tracking, so every time I moved my head around during the demo, my character in game would do the same.

This was critical because at this moment, StarVR lacks more traditional input devices so at least moving my head around gave me a sense of being in the world until I finally received my shotgun. In regards to controllers, Starbreeze CTO Emmanuel Marquez admitted they were still working on them, and were keeping an eye on what other companies in the VR marketplace, like Valve, do in that regard. It was also mentioned that they would love to be compatible with a wide array of devices, including those of their own design like the prop shotgun I was able to play around with and that was featured in the above video.

The idea that Starbreeze could come out with a special line of prop weapons for shooters like The Walking Dead is intriguing, and it’d be far from the first time we had large plastic guns in our hands to play games with. The prop shotgun, even with some sensors attached to it, felt like a real gun (minus the lack of kickback). Every time I did the pump-action, it responded in game. I could fire blindly behind me as we ran down an alley, or I could look down the sights to make sure I put each and every zombie down with a single shot. I’m just concerned how much it would cost to package extra sensors and a large toy shotgun with every copy of Overkill’s The Walking Dead. And what about other weapons? It was an interesting idea, and having a prop in my hands helped with immersion, but I honestly don’t know if it’s completely sound to think every gamer would collect prop weapons to play VR games with.

In terms of plug-ins, StarVR features a USB 3.0 port and a 3.5mm headphone jack so players can use their own headphones for comfort and ease. Of course, unlike Oculus with their built in headphones, this means that, for the moment, positional audio is not a part of StarVR and was noticeably absent from the demo I played.

A nice surprise from Starbreeze’s headset, though, came in how comfortable it felt on my head. While it’s a bit bulkier and larger than an Oculus Rift in terms of shape and size, it felt about the same in terms of weight and the cushions on the inside really kept it from feeling like it was pressing into my head at all. I actually think it may be my favorite headset so far when it comes to just how it feels on top of my head. It should be mentioned, however, that the headset was tethered to a nearby PC, but I was told wireless functionality is on the docket for future versions of the StarVR.

No potential release date or price point was set for StarVR during the event. Lionel Anton, Starbreeze’s lead VR hardware designer, said that what I got to go hands-on with was “a first prototype”, leading me to believe that, along with everything I saw yesterday, that Starbreeze is still some ways off from being ready to stand toe-to-toe with Oculus or Sony. They certainly seem to be on the right track, though. Expect more info and insights about StarVR this week at E3, where it’ll be fully on display.

The Strong National Museum of Play has announced the 2015 class for the World Video Game Hall of Fame.

The six games to make the cut were DOOM, Pac-Man, Pong, Super Mario Bros., Tetris, and World of Warcraft.

The Strong Museum, located in Rochester, New York, is well known for its International Center for the History of Electronic Games and already houses the National Toy Hall of Fame.

The World Video Game Hall of Fame was designed to “recognize individual electronic games of all types—arcade, console, computer, handheld, and mobile—that have enjoyed popularity over a sustained period and have exerted influence on the video game industry or on popular culture and society in general,” said a press release from The Strong.

Games were picked based on four key criteria: icon-status, longevity, geographical reach, and influence. The six that make up the inaugural class were chosen from a field of 15, and were chosen by a committee of journalists, scholars, and individuals familiar with video game history. The games that were not inducted this year were Angry Birds, FIFA, The Legend of Zelda, Minecraft, The Oregon Trail, Pokémon, The Sims, Sonic the Hedgehog, and Space Invaders.

This year’s winners will be on permanent display at the museum’s eGameRevolution exhibit and nominations for the class of 2016 are now being accepted through March 31, 2016.

Will the new Call of Duty: Black Ops 3 feature a stand-alone Zombies story mode? Will old friends (and foes) from previous Call of Duty games reappear as the undead? Could this be the first step towards a stand-alone zombies franchise? Watch the video for the latest info!

You can now have the first new Star Wars arcade game in years in your home if you can pony up the cash.

Bandai Namco has announced that the new Star Wars Battle Pod arcade game is available for private purchase in Japan, Europe, and the US, with the US version costing $35,000. And for those who truly have more money than they know what to do with, there’s also a premium version of the Battle Pod going for $100,000.

The premium version of the enclosed cabinet is inspired by the Rebel Alliance and Darth Vader (your choice of either or) and will come with a special numbered and engraved plaque with your name on it, a bound instruction manual for the game, and even your name placed in the credits of your personal pod. The inside of the pod will also feature carpeting and a leather chair.

I was able to go hands-on with the Battle Pod at Star Wars Celebration in Anaheim this year and while it was fun playing through some classic Star Wars space battles, I could think of a lot of other things I’d rather spend $35k on.

If, like me, you’d rather just try the game out for a dollar or two, you can try finding one at a local arcade that might house it, but with America’s dying arcade culture, that might be harder than it sounds since the game is currently only found in 33 of the 50 states. To see if you’re one of the lucky ones with a nearby pod waiting to be played, check out the Star Wars Battle Pod website.

Let sleeping dragons lie

Puzzle & Dragons is nothing short of a phenomenon in Japan. Even legendary Nintendo creative mastermind Shigeru Miyamoto admitted he was playing it when I spoke with him back at E3 2013. And if I were a smarter man, I might’ve been able to predict that Nintendo would ultimately bring Puzzle & Dragons to the 3DS.

My poor cognitive function aside, when Nintendo finally did make the announcement, I think most were still surprised that not only would Puzzle & Dragons Z be coming to the 3DS, but it’d be bundled with a Super Mario Bros.–inspired version to boot. I admit I was particularly intrigued—especially because I’m a sucker for anything that features Mario (I even own Dance Dance Revolution Mario Mix for the GameCube). I absolutely had to see what’s captivated so much of Japan—and also whether Mario could transition into the world of match-three games.

Puzzle & Dragons Z plays out just like its mobile counterpart. You take on the role of a coming-of-age teen (and have the choice to be male or female) who’s decided to join a national peacekeeping force. When a terrorist organization called Paradox upsets the delicate balance of the world’s key elements (fire, water, wood, dark, and light), you’re tasked with piecing back together your crumbling world by traveling to temples dedicated to each respective element and restoring order. Along the way, you receive eggs that can instantly hatch back at the home base; you then train these beasts to become part of a six-monster party that fights on your behalf. Members of the party then attack when you match special orbs of power into rows of three or more that correspond to the creature’s color-oriented type.

The Super Mario Bros. Edition of Puzzle & Dragons utilizes similar gameplay but stays true to the Super Mario Bros. formula: Bowser kidnaps Princess Peach, and Mario must traverse eight worlds in order to get her back—with the first seven guarded by Bowser’s trusted Koopalings. The difference here is that Mario and the gang can add members of the Koopa Troop (including Goombas, Bloopers, and Giant Hammer Bros., among others) much in the same way you acquire eggs in Puzzle & Dragons Z. Both games also have a basic RPG-inspired leveling system where the creatures in your party grow stronger the more they fight.

Unfortunately, while this 2-in-1 bundle removes the original’s free-to-play microtransactions, it doesn’t really add anything to the experience, either—and Super Mario Bros. Edition feels like a cheap reskin. After only a few worlds of each game, I found myself utterly bored by the entire thing.

Sure, gathering monsters and leveling them up is an addictive proposition that’s been a cornerstone of collect-em-all RPGs like Pokémon, and there’s a hint of that in both of these titles. Puzzle & Dragons Z even adds a town where players can speak with NPCs and receive items and side challenges—but these folks are about as interesting as the Toads who populate the Mario Bros. games.

After playing a match-three game for any substantial amount of time, you start to realize that, far too often, the game revolves around luck. The best entries in the genre, however, find ways to hide this with an interesting story, stronger RPG elements, or even the aforementioned microtransactions, which surprisingly enough can act as a boon in this case since they either force you to walk away after a short period of time or inspire a gambling-style rush if you put extra money on the line, helping keeping boredom at bay (even if in the worst way possible). Neither of the games in this bundle have any of those properties, though, and so monotony quickly sets in.

Worst of all? The tedium comes before you even get fully invested in either adventure. The difficulty between a board with four different-colored orbs and one with six is monumental, since there are ever only 30 orbs on the screen at once, which is far less than most other match-three games. After only a few tutorial battles, you’re thrown right into the six-color-orb conflicts, rarely to ever return to four or five. Since harder monsters have more HP, you’ll find yourself praying each time you clear a row that the right orbs will fall into place, like a gambler futilely hoping for 7s to lock in on his slot machine.

As much as I love puzzle games and Mario crossovers, Puzzle & Dragons Z + Puzzle & Dragons: Super Mario Bros. Edition is a disappointment on every front. It’s not inherently broken in any way; it’s just painstakingly dull. Puzzle & Dragons borrows so liberally from so many other franchises that when you peel back the layers, it leaves nothing but a half-baked match-three game at its core—and Super Mario Bros. Edition is simply one more layer trying to bolster the illusion that this is an interesting game. It’s not.

Developer: GungHo • Publisher: Nintendo • ESRB: E – Everyone • Release Date: 05.22.15
4.5
A bundle that embodies the worst grinding elements of popular RPGs with a lackluster match-three gameplay mechanic. This version of Puzzle & Dragons tries to use the gold standard that Super Mario Bros. represents in order to bolster the façade that this is an interesting, worthwhile gaming experience. It’s not.
The Good The addictive Pokémon-like nature of collecting and leveling up creatures to fight for you.
The Bad Progress is slow and grinding and nothing about the gameplay hides this fact.
The Ugly I think the reason why Japan loves this franchise so much is they have a gambling problem. It’s time for an intervention.
Puzzle & Dragons Z + Puzzle & Dragons: Super Mario Bros. Edition  is a 3DS exclusive. Review code was provided by Nintendo for the benefit of this review.

2K announced this morning that NBA 2K16 would release on September 29 this year to the masses, but fans who pre-order the game can get it four days early.

Dubbed the “Early Tip-Off Weekend” by 2K, fans that pre-order the game from participating retailers will receive the game on September 25 instead of on the street date.

Along with the game, folks who pre-order NBA 2K16 will receive 10,000 virtual currency and a MyTEAM VIP package. This includes a Gold Booster Pack for last-gen players, and three Emerald Packs for new-gen and PC players.

It was recently announced that NBA 2K16 would boast three different covers, each with a different athlete this year. The cover athletes chosen were reigning MVP Stephen Curry, MVP runner-up James Harden, and last year’s cover athlete Kevin Durant. Whether or not players will get a particular athlete on the cover should they pre-order is unknown at this time.

NBA 2K16 will be available on PS4, Xbox One, Xbox 360, PS3, and PC.

In with the Old

I’m a pretty big Wolfenstein fan, so when MachineGames took a shot at rebooting the series last year with The New Order, I admit I was wary. But they genuinely shocked me with how they kept the game intense and action-packed but also infused it with the grit and emotion you normally don’t find in first-person shooters. So, even though I’m often wary of anything labeled as a “prequel,” I was more than ready to jump into Wolfenstein: The Old Blood, hoping to be surprised once again.

The Old Blood takes place shortly before the start of its predecessor in the traditional 1940s World War II setting more commonly associated with Wolfenstein, and the game sees series protagonist B.J. Blazkowicz deep behind enemy lines on a covert mission to find the coordinates to General Deathshead’s lair. When the mission quickly turns sideways, B.J. has to escape from Castle Wolfenstein and put an end to the occult experiments being conducted in the fictional city of Wolfburg if he hopes to get his hands on the ever-moving intel.

If the story sounds somewhat familiar to longtime Wolfenstein fans, that’s because it should. In fact, The Old Blood expansion could easily be thought of as a tribute to 2001’s Return to Castle Wolfenstein. Whereas The New Order was able to smartly borrow elements from previous games, The Old Blood feels more akin to a 1-to-1 re-creation in terms of its settings and major plot points. Yes, there’s even the return of Nazi zombies, who are prevalent throughout the last quarter of this expansion.

That’s not to say The Old Blood doesn’t carve its own path during particular moments, however. New characters, expanded sequences, and two gorgeous settings give The Old Blood a bit of an original flair—though not nearly as much as The New Order brought with its own excursion into the Wolfenstein lore. The most obvious sacrifice comes in character development; many of the new actors on the Wolfenstein stage serve as little more than cheap devices to push the plot forward. Even opportunities to expand on B.J.’s psyche are left untapped, relegated only to the beginning and end cutscenes.

I’m not saying the game needed the slowness of New Order’s resistance-base levels, but The Old Blood feels like it’s in a rush to get to the end. Maybe the quickened pace partly comes because it’s easy to write a path to a conclusion when you already know what it has to be—a sometimes-unavoidable downfall of prequel content.

At least The Old Blood smartly incorporates a lot of my favorite parts of New Order’s gameplay, which helped me forget the plot’s shortcomings for a brief time. Once again, players are given the choice on how to tackle each in-game obstacle, either moving through every level stealthily or like a dual-assault-rifle-wielding madman, mowing down Nazis left and right. This aspect was a defining characteristic in The New Order, and it feels great to have an excuse to go back to it after a year.

The perk system also returns with new upgrades—getting 200 kills with the mounted machine gun allows you to add it to your weapon wheel, for example. While some aren’t nearly as inventive as those seen in New Order (clip expansion seems to be a favorite here), the system still encouraged me to step outside my comfort zone.

The Old Blood even finds a way to avoid the classic prequel trap of creating too many new weapons that wouldn’t make sense in the time period or in the game’s continuity. While there are some new weapons available, such as the Schockhammer shotgun, they’re clearly predecessors to the weapons we saw in The New Order and are appropriately de-powered to fit the 1946 setting (with the same going for enemy types).

Much like The New Order, there’s also a surprising amount of replayability to The Old Blood, considering the game doesn’t offer a multiplayer mode. Challenge maps unlock as you progress through the campaign, and you can replay them in an attempt to get higher scores on the global leaderboard.

There’s also a dozen collectibles in each chapter and bonus content in the form of special “Nightmare” scenarios. In these moments, B.J. lies down for a quick nap—amazing that he can do so with a war going on around him—and gets whisked away to a dream world where he must fight through a number of Wolfenstein 3Dinspired areas. Completing these extra levels won’t help you progress toward the end of the game in any way, but they’re nice nods to Wolfenstein’s long history and provide an enjoyable respite from all the grit of the main experience.

While I appreciate a tribute to games of the past as much as the next guy, leaning on that idea so heavily makes it difficult for The Old Blood to stand out as much as The New Order. Still, the thrill-a-minute gameplay from the previous Wolfenstein outing carries the day here—and when you mix that with some surprising replayability, The Old Blood emerges as a solid expansion to one of last year’s better games.

Developer: MachineGames • Publisher: Bethesda • ESRB: M – Mature • Release Date: 05.05.15
7.5
The New Order’s returning gameplay carries the day here. The Old Blood’s story spends too much time trying to be a tribute to an old game instead of its own adventure—and prevents this standalone expansion from being as deep or enjoyable as the main game.
The Good A solid tribute to Return to Castle Wolfenstein that still finds a way to fit into MachineGames’ new Wolfenstein universe.
The Bad Lacks the depth of The New Order; follows Return to Castle Wolfenstein a little too step by step.
The Ugly The missed opportunity that was bad guy Rudi Jager never calling in an airstrike and yelling “Jagerbombs!”
Wolfenstein: The Old Blood is available on Xbox One, PS4, and PC. Primary version reviewed was for Xbox One. Review code was provided by Bethesda for the benefit of this review.

It was announced just moments ago on SportsCenter that Odell Beckham Jr. will grace this year’s cover of Madden.

Beckham received 52.5% of the vote over New England Patriots tight end Rob Gronkowski.

Beckham won the NFL Offensive Rookie of the Year award last year after putting together a season that saw him lead the league in receiving yards per game. He also set numerous rookie records, even though he missed the Giants’ first four games with an injured hamstring. He is the first New York Giant to ever grace the cover.

“Odell Beckham Jr. is a true playmaker and a perfect fit for this year’s game,” said Randy Chase, Senior Director of Marketing for EA SPORTS. “He’s an unstoppable force out on the field, and the Madden NFL 16 cover is further vindication that the fans believe he’s a player to watch in the coming years.”

EA Sports also released a teaser video for Madden NFL 16 today featuring the finalists for the cover vote. The video touts the new “Be the Playmaker” system, which institutes a new risk/reward system for playing and defending passes (explaining why corners and receivers were the only men selected to be finalists for the cover).

Madden NFL 16 will be available on August 25 for Xbox One, PS4, Xbox 360, and PS3.

Get more info and pre-order your copy of Madden NFL 16 now: http://bit.ly/1G7DY4D

One of the most thrilling things about an Assassin’s Creed release is seeing how the world builders behind the game not only re-create iconic landmarks from the cities and regions they choose, but do so in a way that feels accurate for the time frame. With London’s tremendous history and potential, I give you the top five places I want to see and explore in Assassin’s Creed Syndicate’s Victorian England.

Get more info on how to get your own copy of Assassin’s Creed Syndicate here: http://bit.ly/1AUbKEl


Tower of London

Easily one of the oldest structures in London, this near millennium-old castle sits on the northern bank of the River Thames, and has had numerous uses over the centuries. Originally used as a key fortification on one of the main bridges into the city, the Tower of London has also served as a residence for the royal family, a menagerie, and continues to this day to house the Crown Jewels. With all the stories of ghosts roaming the Tower’s halls, and with its diverse history, one can only imagine that Syndicate would take advantage of this landmark—using its interior as the setting for at least some side missions, with the outside providing some perfect synchronization points.

Buckingham Palace

A perfect tie-in to Syndicate, Buckingham Palace did not become the official home of Britain’s royal family until Queen Victoria in 1837—who was of course in her ruling prime around the events of the game. Originally just a townhouse for the Duke of Buckingham, the Palace was built in 1703, and has had numerous additions made over the following three centuries. Besides being the current residence of the royal family, Buckingham Palace is world renowned for its gardens, the largest private ones in all of London. I’m sure they’d make a wonderful approach to sneak through if need be.

Palace of Westminster

Located on the Middlesex bank of the River Thames, the Palace of Westminster—where the Houses of Parliament meet, and whose clock tower houses good old Big Ben—may be the most recognizable of London’s landmarks. While it also once served as a royal residence, it is best known now for where all of England’s most important government decisions are made. What’s most fascinating is that the time period Syndicate takes place in coincides with the Palace still in the process of being rebuilt after an 1834 fire. While close to completion at that point (repairs were officially deemed done in 1870), there is still the potential for Jacob and Evie to work their way through half-completed corridors and hidden rooms, all while Parliament is in session. Not to mention that clock tower would make one heck of a climb.

St. Paul’s Cathedral

We couldn’t be talking Assassin’s Creed landmarks if we didn’t list at least one church, and few are as special as St. Paul’s. Sitting atop Ludgate Hill, the cathedral is at the highest point of all of London, looking down from above on all the people. At 365 feet tall, it was the tallest building in all of London until 1962—meaning it should be your most challenging climb in Syndicate. It’s dome remains one of London’s most recognizable sights, due to its domination of the skyline for over three centuries now. Often the site of many special and celebratory occasions in English history, it’d be surprising if Jacob and Evie didn’t have to infiltrate this structure at least once.

Piccadilly Circus

No, it’s not a circus in the traditional sense. In the case of Piccadilly, circus means “circle”, as in a round open space at a street junction, like a town square. Its location in London has made it a tourist attraction in and of itself due to its proximity to the shopping and entertainment centers in London’s West End. It’s this ideal location that means Jacob and Evie will likely be running through Piccadilly more often than not, in order to get to key areas in the game. And, although London’s Underground was open by the time Syndicate starts, I’m going to have to disappoint people by mentioning that Piccadilly’s own Underground station wasn’t constructed until the turn of the 20th century—meaning there shouldn’t be official tube station entrances near here in the game.

Mighty No. 9 will launch September 15, and will receive a retail release on PS4, Xbox One, and Wii U, developer Comcept and publisher Deep Silver announced today.

The physical retail editions, which will cost $29.99, will include the Ray “Abandoned Lab Stage” DLC, which allows players to control Beck’s Rival, Ray, in a full new stage complete with boss battle. The DLC will be available for free to all Kickstarter backers. Mighty No. 9‘s digital, DLC-less release, meanwhile, will cost $19.99.

As for the slight delay past Mighty No. 9‘s original spring release window, part of the reason is the inclusion of newly added French and Japanese voiceover options, and subtitles for nine languages now.

Mighty No. 9 is a spiritual successor to Mega Man that was successfully crowdfunded through Kickstarter back in August of 2013, earning more than quadruple the amount of money it had originally asked.

Mighty No. 9 launches both physically and digitally across PS4, Xbox One, and Wii U, and digital-only for Xbox 360, PS3, PC, Mac, and Linux September 15. Nintendo 3DS and PS Vita versions are planned, but will come at a later date.