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Little Mac is the latest addition to Super Smash Bros. for Wii U and for 3DS’ ever growing roster, Nintendo president Satoru Iwata revealed during today’s Nintendo Direct presentation.

Little Mac, of course, is best known as the main protagonist in all three Punch-Out!! games, first debuting in Mike Tyson’s Punch-Out!!  for NES in October 1987 (originally just called Punch-Out!! in Japan).

The diminutive fighter is portrayed as the stereotypical underdog, overcoming all the odds caused by his smaller stature to become champion of the world. His reveal trailer for Super Smash Bros., which is embedded below, pokes fun at this, also showing that a lot of fight can come in even the tiniest of packages.

Not surprisingly, his powers revolve mostly around him being able to perform a flurry of fast punches. He also has a charge meter that, after absorbing enough damage, allows him to unleash a devastating uppercut to his opponents. The trailer also shows off his Final Smash ability, which sees Little Mac become anything but little, as well as a new stage based around a boxing ring, (obviously tailored to Mac).

The only disappointing thing probably about this latest Smash Bros. announcement is that Nintendo still hasn’t provided a solid release date for the series’ fourth full entry.

The 14th Annual Game Developers Choice Awards have announced who will be receiving this year’s Ambassador and Pioneer Awards at the awards show in March.

The Ambassador Award is given to someone who has helped videogames advance through advocacy or action. This year’s recipient is media critic Anita Sarkeesian, the creator of Feminist Frequency, a video series that explores representations of women in pop culture, with a particular focus on gaming.

The Pioneer Award is given to those who brought about breakthrough tech or gameplay design milestones. This year’s recipients are Brandon Beck and Marc Merrill, the co-founders of Riot Games, the company behind League of Legends. With more than 67 million players a month and a driving force behind the growth of eSports, League of Legends has become a phenomenon like few others in the gaming industry.

The Game Developers Choice Awards, hosted this year by Respawn Entertainment’s Abbie Heppe, are a part of the Game Developers Conference held each year in San Francisco. This year’s show will take place March 19, 2014, at 6:30 p.m. PT at the San Francisco Moscone Center. The awards are open to all GDC attendees. Immediately preceding the show is the Independent Games Festival Awards, hosted this year by Nathan Vella, president and co-founder of Capybara Games.

Ray Carsillo returns from a brief hiatus to talk about the Winter Olympics in Sochi, Michael Sam coming out, and Alex Rodriguez dropping his lawsuit against Major League Baseball. Welcome to Ray’s Man Cave!

Music used is from “Meat and Potatoes”. Used with permission from Admiral Bob (http://ccmixter.org/files/admiralbob77/17833); licensed under Creative Commons. No changes were made to the actual music.

License can be found here: http://creativecommons.org/licenses/by/3.0/legalcode

Chasing the chicken, for old time’s sake

It’s hard to believe it’s been 10 years since the first Fable. Like many who played it the first time around, Lionhead’s fantasy RPG has always held a special place in my heart. I loved the idea that your interactions with the world around you could affect your character’s quests and their physical appearance (good characters received a “holy glow,” while bad players would sprout demonic horns) gave the sensation that your choices actually carried some weight—a rarity back then.

The combat was deeply satisfying, and finding the balance between Strength (melee), Skill (ranged), and Will (magic) to fit your playstyle delivered an instant gratification you rarely see in RPGs even today. Plus, the game featured a charming story that may not have been all that original (boy’s parents are murdered, boy becomes hero, boy enacts vengeance on those who wronged him…kind of like Batman), but it was still entertaining, especially since it was garnished with some classic British humor.

So, even though it didn’t redefine the genre (no matter what Peter Molyneux may say) and has been surpassed many times over at this point, Fable still remained a personal favorite of mine. It didn’t do anything spectacularly, but everything it did back in 2004, it did well. But I must admit after all this time that my memory may have been looking at things through Briar Rose–colored glasses.

Fable Anniversary builds off the content of the expanded 2005 re-release, Fable: The Lost Chapters on the original Xbox, providing a much-needed facelift by updating every asset with Xbox 360-caliber graphics. Along with this, Achievements have been added, and a brand-new user interface has been integrated into the game, one that not only allows players to save wherever they want, but also makes navigating store and inventory menus far easier. There’s even some interesting loading screens depicting an ever-growing map of Albion as you explore.

Besides the look, however, Fable Anniversary fails to offer anything new to the game. That’s not to say the game doesn’t benefit from the graphical update, but seeing Fable’s roots—especially with Legends on the horizon and Fable II, III, and Journey all in the rear-view mirror—makes Anniversary reek of a cash-in on the admitted nostalgia gamers like myself feel toward older franchises.

I’m here to warn you that time hasn’t been kind to this one. Compared to everything that’s come since then—even within the Fable series itself, let alone other RPGs—these roots seem shockingly bare. The stark realization that things aren’t as good as you may remember could leave a decidedly sour taste in your mouth. It left me quite sad, actually.

In one way, it’s an interesting exercise in seeing how far the industry has come. Now, you can choose to be a female protagonist in many RPGs. You still can’t make that choice in this Fable, nor can you customize your character to any reasonable extent. If the developers were going to take the time to update the entire look of the game, couldn’t they have afforded a few more in-depth customization options?

And would it have killed Lionhead to add a couple of extra missions and lengthen the game a little bit? Couldn’t they offer players an experience a little different from the one we had back in 2005? My Xbox 360 still plays Fable: The Lost Chapters (remember when systems had backward compatibility?), so there’s really very little incentive for me to go out and buy a whole new game—even with a $39.99 budget price—unless I’m an Achievement hunter or an OCD collector.

Anniversary lacks many of the features we’ve come to expect in modern RPGs, and the passage of time has dulled the punch of those few that the game did tout. The only value now lies in showing players who came to the franchise late the beginnings of this ongoing tale. It still works from a technical point of view, but only the combat remains rewarding—the one element not ravaged by time over these past 10 years.

What hurts Anniversary most of all, though, is coming to the realization that when Fable first came out, it was very good, even if it really didn’t break new ground. Now, it’s borderline irrelevant, since so little work has been done on this re-release to make the experience stand with contemporary RPGs. It was depressing to trudge through an Albion that looked so very different to me, not only due to the new graphics, but because of my sweet memories being shattered and replaced by a harsher reality. The tagline for Fable used to be “For every choice, a consequence.” Well, the consequence of Fable Anniversary is one disappointed reviewer—and the newfound understanding that, sometimes, it’s better to just leave your memories in the past.

Developer: Lionhead Studios • Publisher: Microsoft Studios • ESRB: M – Mature • Release Date: 02.04.14
6.0
Fable still has some charming elements that have stood the test of time and survive in Fable Anniversary. But most of the game shows its age, so if you played Fable or Fable: The Lost Chapters the first time around, there’s little here to bring you back for more.
The Good Friendlier user interface and a graphical facelift; combat system holds up.
The Bad Everything else is starting to show its age.
The Ugly How entertaining I thought the fart feature once was.
Fable Anniversary is a Xbox 360 exclusive. 

Ray Carsillo Hosting Reel

Los Angeles based Ray Carsillo is your go-to-guy when it comes to sports, games, comics, and more. From local red carpets to gaming conventions in Germany, Ray has traveled the world to give you his unique perspective. Having worked formerly for ESPN and ABC, Ray is currently the Reviews Editor for Electronic Gaming Monthly and Walmart Game Center.

For bookings, contact me at raycarsillo@gmail.com
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Ray Carsillo gives his final prediction for the Super Bowl, talks about the possible Ryan Callahan trade between the New York Rangers and St. Louis Blues, and discusses the recent events in the WWE. Welcome to Ray’s Man Cave!

Ray Carsillo gives his predictions as to who he thinks will win the Super Bowl, talks about David Diehl retiring from the New York Giants, and glosses over the Pro Bowl because no one cares about that. Welcome to Ray’s Man Cave!

Tim Schafer hopes to return to his metal-inspired IP Brütal Legend one day, Double Fine Productions’ head said yesterday during a Gamespot live stream.

“I love that world, and I would love to go back there,” Schafer said during a Let’s Play of his latest title, Broken Age. He also mentioned Jack Black might be interested in returning to the franchise as well.

Black lent his voice (and likeness) as Brütal Legend’s main protagonist, Eddie Riggs, a legendary roadie who is transported to a world built on the tenets of metal (the music genre, not the solid material that is typically hard, opaque, shiny, and features good electrical and thermal conductivity). Along with Black, the game starred some of metal’s biggest names, including Judas Priest’s Rob Halford, Motörhead’s Lemmy Kilmister, and Ozzy Osbourne.

While the game sold more than a million copies and had good critical reception, it was not considered a commercial success, costing $25 million to make. Because of this, raising that much money for a sequel “might be tricky,” according to Schafer.

Even though a true sequel may be out of the question for the moment, Schafer went on to talk about how he’d like to do a DLC pack centered around General Lionwhyte, a demented character that looked like David Bowie, and who used his massive hair to fly. He was also one of the characters voiced by Rob Halford.

Lionwhyte’s Hair Metal Militia had always been an AI-controlled faction, so DLC where you could play as them in multiplayer could work (and would be welcome).

Brütal Legend was originally released on Xbox 360 and PS3 back in October 2009, and was ported to PC early last year.

Release dates for Quantum BreakSunset Overdrive, and the new Halo title may be revealed alongside unannounced exclusives during this year’s E3 briefing, according to tweets from Microsoft’s Phil Spencer.

“We will have announces [sic] in 2014, already working on the plan,” Spencer said in response to fan queries over Twitter yesterday concerning Xbox One exclusives, spotted by OXM. “I want to have a great E3 this year.”

A more definitive statement came, however, after another fan then asked about release dates for the already announced exclusives Quantum Break, Sunset Overdrive, and the next chapter in the Halo series.

“Most of those will be clear to fans by the end of our E3 briefing,” Spencer replied.

So what could Microsoft have up its sleeve to wow gamers this year? Safe bets might include Crackdown 3 and a new project from Epic Games, but that’s just speculation on my part as of this point.

As for release dates, I think most will be shocked and disappointed if all three of those games (Halo 5, Quantum Break, Sunset Overdrive) don’t drop by the 2014 holiday season.

E3 2014 is being held once again this year at the Los Angeles Convention Center from June 10 through June12. Microsoft’s E3 briefing is traditionally the day before the show officially starts, which would be June 9 this year.

The lost Assassin

Looking back on my original review for Assassin’s Creed III: Liberation, now well over a year ago, I realize that I made a lot of excuses for the game because it was on the Vita. Expecting less of a game on a handheld system is understandable—especially when it’s a spin-off of a successful console series like Assassin’s Creed—since obvious technical shortcomings are par for the course.

Trying to cram an entire Assassin’s Creed game onto a portable is no small feat. But when a game developer ports a handheld experience and tries to make it a full-fledged console title, they’d better go all-out, or there are going to be problems. And, unfortunately for Assassin’s Creed: Liberation HD, let’s just say that Aveline doesn’t look nearly as good in high-def.

In Liberation, you play the role of a consumer who’s decided to purchase the first-ever product from Abstergo Entertainment. This new device allows you to relive the life of Aveline de Grandpré, the daughter of a wealthy Frenchman and an African slave woman in 18th-century New Orleans. On the surface, Aveline looks to lead the pampered life her father’s wealth would afford her, but the soul of a warrior burns within.

To the untrained eye, this looks like the beginning of a solid Assassin’s Creed tale, but the story’s still too short, and nothing’s added to lengthen it in the HD version. Aveline is still a poorly developed character, even though she has the makings of one of the most interesting Assassins yet. All we get are a handful of extra side missions that focus on her slave/high-society disguises, which are really quite throwaway. Despite the lack of additional content, though, players will still likely enjoy Aveline’s tale, even if it pales in comparison to the rest of the series’ protagonists.

The combat and movement remains largely the same as the other games in the series, with pickpocketing and the “chain kill” system (both of which were tied to the Vita’s touchscreen previously) mercifully assigned back to traditional buttons. Countless glitches and stiffness also remain, however, making this one of the worst-handling Assassin’s Creed titles.

The visuals don’t make a smooth transition, either. While the graphics have definitely been improved in this HD version, they’re nowhere near what we expect from a console game (these screens are not representative of the experience I had). And the contrast is only more vibrant if you’ve played Assassin’s Creed IV: Black Flag recently. It looks just like what it is: a handheld game cheaply upscaled to consoles.

Assassin’s Creed: Liberation HD feels like a game that Ubisoft is trying to redeem so that Aveline’s story isn’t wasted. They’re clearly trying to get it into the hands of as many people as possible now because of the Vita’s limited install base. And her story is one worth telling, but it would’ve been so much better in a fully realized, fully fleshed-out Assassin’s Creed entry. Instead, we got this port of a portable. Because of the budget price of $19.99, I could see some misguided Assassin’s Creed diehards falling in love with Aveline’s story and not being terribly heartbroken after shelling out the cash, but to everyone else—especially if you already did play it on the Vita—you can steer clear.

Developer: Ubisoft Sofia • Publisher: Ubisoft • ESRB: M – Mature • Release Date: 01.14.14
5.0
Easily the most disappointing Assassin’s Creed title ever. Aveline had the potential to be one of the best Assassins yet, but poor character development, simple mission design, and a far-too-short adventure left me wanting more in all the worst ways.
The Good Pickpocketing no longer has to be done via a touchscreen.
The Bad The main story’s lack of depth is only amplified on consoles.
The Ugly Instead of making everything prettier, HD only reveals all of Liberation’s blemishes.
Assassin’s Creed: Liberation HD is available on Xbox 360 (XBLA), PS3 (PSN), and PC. Primary version reviewed was for PS3 (PSN).