Tag Archive: deadpool


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Los Angeles based Ray Carsillo is your go-to-guy when it comes to sports, games, comics, and more. From local red carpets to gaming conventions in Germany, Ray has traveled the world to give you his unique perspective. Having worked formerly for ESPN and ABC, Ray is currently the Reviews Editor for Electronic Gaming Monthly and Walmart Game Center.

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Don’t forget your syrup! We’re making pancakes!

It’s never easy turning a licensed product into a videogame, but it can be especially hard when it comes to comic books. Developers typically have a wealth of history from which to draw, but that also leads to fanatical fanbases who love to criticize the slightest bit of “creative interpretation.” Or, on the flipside, you’ll see projects commissioned to be made with half the budget and half the time—and then publishers wonder why we, the game-loving public, trash the end result.

But every now and again, the stars align. With time, money, knowledge, respect for the product, and understanding from the fanbase, you’ll have an experience worth playing. The guys at High Moon Studios are familiar with this; they’ve done it twice now with a pair of original Transformers videogames. But can they possibly handle the biggest challenge they’ve faced so far in the form of Deadpool?

Based on the Marvel character best known for breaking the fourth wall and spoofing a flurry of other comic-book characters, Deadpool is a love letter, plain and simple, to the fans who’ve supported him since the Rob Liefeld/Fabien Nicieza days in the early ’90s. Luckily for us, though (no offense to those guys—well, maybe Liefeld a little), High Moon asked Daniel Way to write the script instead. Fitting, since Way’s run with the character is probably why Deadpool’s now at the height of his popularity.

And the game unfolds exactly how Deadpool fans might expect: Everyone’s favorite Merc with a Mouth decides he wants to be in his own videogame. Yep, fourth wall already smashed to smithereens. So he calls up the guys at High Moon, threatens them (a lot!), and gets the green light. We then begin stage one, where Deadpool must hunt down a big-time executive type in order to rake in a big bounty. Unfortunately for Deadpool, this particular fat cat is doing business with the Marauders and Mister Sinister, and he’s under their protection. Deadpool can’t be having that—no, sir!

Thus begins one of the wildest gaming rides I’ve had in quite some time. Sure, Way’s comics made me laugh for a couple of minutes each month, but this game had me in stitches for almost the entire eight-hour experience (give or take an hour, depending on your difficulty).

Aside from the smartly executed script, the game looks solid; it’s firmly entrenched in Marvel lore, yet it’s also got a splash of Looney Tunes when it comes to animations, character reactions, and general tomfoolery. The excellent voice work certainly adds to the atmosphere, too. Nolan North channels every ounce of Deadpool (and the voices in his head) he can muster through that red-and-black mask and when grouped with other voice veterans like Steve Blum as Wolverine and Fred Tatasciore as Cable, the acting is top notch.

But not everything about Deadpool is a perfect mile-high pile of pancakes. Deadpool loves guns. He also loves swords. In fact, any tool that can deal death is a high priority in his fractured mind. So High Moon faced an understandably difficult undertaking in finding the proper balance between guns and melee weapons. Unfortunately, the Deadpool game doesn’t quite get that balance right as the action ebbs and flows back and forth between having to use guns and then use melee weapons, instead of blending the two together more to craft a smoother combat experience. Also, while the combo system works fine and sees Deadpool transition smoothly from enemy to enemy, the broken camera and floaty platforming sequences serve as unseen foes that ultimately detract from the experience.

Still, Deadpool also features a few combat tweaks that definitely add to the experience, such as a “Momentum Meter” that fills up with continued success. The upgrade system that requires you to cash in “Deadpool Points” earned from massive combos is a decent touch, and being able to wield a variety of handheld, throwable, and projectile weapons helps keep the experience from becoming a complete button-masher. The game also offers eight challenge maps—with four levels of difficulty—that offer some replayability.

Even with a few gameplay issues, Deadpool hit just about every note I wanted. The campaign offers enough hysterical choices that I played through it several times—and I even watched as others in the office experienced it for the first time. Ah, so many fond memories.

If you’re a fan of Deadpool, you’ll certainly appreciate the experience, but if you’re really unfamiliar with the character (even though I don’t know how that’s possible at this point), you might be a bit wary of having this game be your first experience with Wade Wilson (Oh, no! I revealed his secret identity! Spoilers!).

Developer: High Moon Studios • Publisher: Activision • ESRB: M – Mature • Release Date: 06.25.13
8.0

You’ll be fighting the camera sometimes as much as enemies, and the balance between guns and melee needs a bit more work, but most of the time, I was laughing too hard to care. The script is a love letter to Deadpool fans, so if you love the Merc with the Mouth, this game will hit your chimichanga-flavored sweet spot.

The Good Hysterical story that channels the best of Deadpoool.
The Bad Balance between melee and guns needs work; camera can be a hindrance.
The Ugly WHERE’S HYDRA BOB?!
Deadpool is available on Xbox 360, PS3, and PC. Primary version reviewed was for Xbox 360.

Make Mine Marvel

I can’t remember a time in my life where I didn’t want to be a superhero. Whether it was wielding the Hulk’s impossible strength, firing lasers from my eyes like Cyclops, or cutting things to ribbons with Wolverine’s claws, superpowers have always been at the forefront of my imagination. So, I’ll admit that I relished being able to go hands-on with Gazillion Entertainment’s upcoming free-to-play MMORPG Marvel Heroes.

The story starts off with vintage Marvel bad guy Dr. Doom getting his hands on a Cosmic Cube—and the chaos he intends to bring down upon the citizenry of the world will be significant. Therefore, Marvel’s mightiest heroes from across all major lines must come together to root out Doom and his allies. Being as obsessed with comics as I am, this story may look like it’s been done before—on the surface, anyway. But the game’s writer, Brian Michael Bendis (best known for his long run on The Avengers), is clear that it’s difficult to write for a game like this.

“The challenge was to come up with a story that hits as much architecture and landscape in the Marvel Universe as possible without it feeling too much like a knee-jerk thing,” he says. “What’s interesting about the Marvel Universe is that there are just as many interesting things going on at the street level—let’s say the Daredevil level, the Spider-Man level—as there are at the cosmic level, the Guardians of the Galaxy, the Silver Surfer, the Galactus level. The cool thing—and the interesting idea for us—was to actually start the story at the ground level and kind of roll like a snowball downhill. As you discover more and more about the actual story and play through the game, you get to travel up toward the cosmic level of the Marvel universe, all the while not getting newcomers lost or confused. I looked at it like this grand opportunity to create almost like a Marvel event comic unlike anything you’d actually seen in publishing. And at the same time, create like a Marvel lifestyle product, if that makes sense. Then, there are some fans who live and breathe these characters—and are going to live and breathe this game. This is going to be, if done well, the next step of the worldwide community of comic-book fans and Marvel fans and just fans of games. To create something that really lives and breathes like the Marvel Universe for them all to live in is a real treat—and a real challenge.”

If you should live and breathe these characters, as Mr. Bendis so aptly puts it, then you’ll probably be as excited as I was to see what he was talking about. I was fortunate enough to play through three of the story’s dozen chapters; in that time, I went from Mutant Town in New York City to the Kingpin’s penthouse to the Morlock sewers to the Savage Land—hopping through some of Marvel’s most iconic locations in a way that makes sense to the story. I also took on iconic baddies like Sentinels, Mutates, A.I.M., and the Purifiers, not to mention individual supervillains like Green Goblin, Tombstone, Sauron, Bullseye, and Lady Deathstrike.

But including characters that we expect to see in a game like this isn’t going to be enough—the gameplay needs to be there, too. Fortunately, Gazillion president and COO David Brevik has a bit of experience in making games like this really shine (he created Diablo I and II, if you didn’t recognize the name).

Steering away from fully customizable avatars, Marvel Heroes wants to make you feel like those great characters we all grew up loving, so you only play as established characters from the Marvel Universe. If you want to smash with the Hulk, you can do it. If Ms. Marvel is more your thing, then no one will stop you. Or maybe purple really does it for you, so Hawkeye’s your man. If they’re a hero in the Marvel Universe, you can unlock them and play with them at some point. And if you don’t like their standard look, you’ve got a bevy of alternate costumes you can unlock—like, if you’d rather your Captain America have that 1940s helmet instead of his modern mask.

And playing with these characters feels as great as you’d expect. Setting hotkeys for special powers or just left- and right-clicking makes it so you can fire a variety of beams with Cyclops or set the world on fire however you wish with the Human Torch. It couldn’t be easier to start mowing down Mole People or putting the screws to Pyro than that.

As Brevik explains, though, you can’t just go it alone if you really want to get through the story and the inevitable expansions down the road. At times, you’ll have to team up, and Gazillion’s trying some different ways to make some of those feel more spur-of-the-moment than camping out in front of a dungeon entrance looking for help.

“We had an idea about the way that we’d like to get invites going and get people together,” he says. “We have events that are more traditional encounters, making sure that there are opportunities for people to socially get together and group up. You hang out in town, and people are like, ‘I need help with the Kingpin fight!’ or ‘Oh, I’m on that, too,’ and group up and go to this thing together. That’s something we wanted from the very beginning as part of the design. Then, we have optional grouping, which is this loose grouping out in the public combat zones. Green Goblin suddenly pops up, and then everybody can get together dynamically and work together, and everybody gets rewarded. So, there isn’t an official formalization of the grouping there. There’ll be other ways to group and other ways to do things, especially in the endgame, that I think will also play right into the kind of MMO hands that people are used to.”

I’d be remiss if I didn’t mention the crafting system. Going to certain characters like Forge at the X-Mansion or Hank Pym at Avengers Tower will allow players the chance to upgrade their equipment or add buffs to items like Cyclops’ visor or Deadpool’s katanas. This just gives you an even deeper connection to the experience; it hearkens back to Diablo while still featuring the Marvel flair players expect.

Marvel Heroes is shaping up as one of the more special free-to-play MMO experiences. With the power of the Marvel license, writers like Brian Michael Bendis, and David Brevik’s Diablo background, every Marvelite will likely be shouting “Excelsior!” when this game’s finally open to everyone—hopefully sometime later this year.

When not playing video games, I like to curl up with a good book. These books just so happen to be full of pictures–and only a few hundred words of dialogue—surrounded by several dozen words of onomatopoeia. Yes, you guessed it: I am an avid comic book reader. So, as I sat down to finally read Thunderbolts #4—I’m catching up after my trip to D.I.C.E. 2013—I couldn’t help but notice a full-page ad talking about everyone’s favorite Merc with a Mouth.

What specifically caught my eye about the ad, though, was the bottom of the page, where it exclaimed that Deadpool’s first solo video game adventure would be hitting this summer. Considering this was the first myself, or anyone else in the office, had heard of any sort of release date for the game, I thought it was news to be shared with the community. Oh, you lucky people you. The word “summer” also came up again with a spattering of new screens released last week over at Marvel.com in regards to the Deadpool game.

The summer is a large period of time, however—lasting from the end of June until the end of September—so although this narrows it down from the ominous “TBD 2013″ of other sites or the bulls*** “December 31, 2013″ listing of retail stores, we still don’t have a super-solid date. If we look back at previous High Moon Studios releases, however, my money would be on June, since the last title game director Sean Miller worked on was Transformers: Dark of the Moon—and that was a June release. Meaning, if he went straight from one project to the next, he’d have a full two-year dev cycle with Deadpool. It could also be August, though, since that was when the last game from High Moon Studios in general was released (last year’s Transformers: Fall of Cybertron). Of course, until we get a more solid date, anything beyond “summer” is all just hyperbole on my part. Thanks for the info comic books!

 

A decent haul this week saw a couple of new number ones permeate the pile and make things interesting for this week’s Pullbox!

Note: Due to EGM’s presence at Gamescom, the Pullbox will be put on hiatus next week.

DC – Batman and Robin #12 – The new villain Terminus finally reveals himself to Batman and looks to not only destroy the Dark Knight and Boy Wonder, but all of Gotham as well!

This book was one of the most anti-climactic ends to a story arc I’ve read in quite some time. Not only did Batman easily dispose of this new villain, permanently, but the entire sequence with the bomb played out way too much like The Dark Knight Rises and it makes me wonder how much comics and movies go hand-in-hand nowadays. At the very least, we know now Batman can hopefully move on to a villain with a little more gravitas than the awful Terminus and get this book back on track after this issue jumped off the rails. Not pleased with it at all right now.

DC – Deathstroke #12 – Lobo is ready to wipe the Earth from the galaxy baby and only Deathstroke is in his way! How Lobo escaped in the first place also surfaces and it makes Deathstroke realize he has a lot more problems on his hands than just the last of the Czarnians.

Now this is how you finish off a story arc. The end battle between Deathstroke and Lobo was epic and Deathstroke’s finally few pages of dialogue really helped you see the inner workings of the character more than anything else up to this point. The art is classic Rob Liefeld meaning you either love it or hate it, but considering how much action this book had in it, I think he was the right guy for the job. The big question now is to figure out where Slade goes from here after collecting one of his biggest bounties in quite some time.

Marvel – Deadpool Kills the Marvel Universe #2 – Deadpool has a new voice inside his head calling the shots and it spells disaster for the entirety of the Marvel Universe as no one is safe as Deadpool hasn’t just broken the fourth wall, he’s shattered it!

I really thought I would be enjoying this spoof spin-off of Deadpool’s usual over the top antics a lot more, but it may in fact be too crazy even for him as it moves away from the goofy and into the dark comedy realm a bit, and I’m not really sure how I like that. The Avengers, Spider-Man, Dr. Doom, and The Incredible Hulk all fall victim to Wade Wilson in this issue and do so far too easily for my liking. I mean, I’ve wanted to shoot Spider-Man in the head for a long while, too, but this left a surprisingly poor taste in my mouth, even if Spidey’s gruesome demise was at least awesome to watch. I’m still not sure how to feel about this one, but I’ll definitely be picking up Issue Three to see just where it can go from here.

Marvel – Gambit #1 – Out of the bayou, off campus from Wolverine’s school, and on a mission to get himself into some old school trouble, Remy LeBeau, best known to the Marvel Universe as Gambit, is looking to cause some trouble with some very interesting characters.

I really didn’t know what to expect from this comic, but a cross between the spy gadgets you might get in an Ed Brubaker book crossed with the crazy thieving scenarios of something like the movie Entrapment, but with a Marvel twist (and no Catherine Zeta Jones in spandex unfortunately), left me just scratching my head in a perplexed, and definitely not entertained sort of way. The coolest thing about Gambit is his power and we barely saw even a glimmer of that in this book and then the entire ending was like diving off a cliff into three feet of water. It made no damn sense and didn’t make me want to do it again. A disappointing start for this new book and yet another Marvel #1 in recent weeks that just left me asking ‘why?’.

Valiant – Archer and Armstrong #1 – The top 1% of America is actually part of a sadistic religious cult who trains children inside an amusement park and only lets the one who can rise above them all out into the real world. His mission is simple: destroy the evil that cannot be named, but who conveniently hangs out in a dive bar in New York City as is actually named Armstrong. What the…

So, yeah, my summary is exactly what happens in this first issue of this new series from Valiant Comics. And as crazy as it sounds, wow, it was really good. It got off to a slow start and I admit it gave off a weird vibe, but by the time I finished it, I seriously cannot wait to see what happens next in what could turn out to be one of the most enjoyable odd couples to watch as Archer, the boy who rose above it all, and Armstrong, a tank of a man who doesn’t seem all that bad but is branded evil by this religious cult, will have to work together in short order I’m sure. Take what you will from the comic’s clear political statements, the point is the comic is well-written, thoroughly entertaining, and setting itself up to be something that could be a regular here in the Pullbox. Do yourself a favor, and pick this up.

EGM Game Over Podcast 005: The Dork Knight Rises

The EGM crew brings you the Game Over Podcast, our end-of-the-week conversation where we discuss some of the biggest recent events in gaming.

[Hosts] Brandon Justice, Andrew Fitch, Ray Carsillo, Josh Harmon, and Eric L. Patterson
[Date] July 20th, 2012

[News] The problem with patching Fez, EA accidentally announces Battlefield 4, you’ll be playing Borderlands 2’s campaign for 58 hours, Deadpool becomes the newest gaming protagonist, and a new website helps you shag gamers.

[EGM Reviews] NCAA 13, Heroes of Ruin, Rhythm Thief & The Emporer’s Treasure
[Bargain of the Week] Mass Effect 3 & Final Fantasy XIII-2

Want to send feedback to the show? Drop us a line on Twitter: @EGMLogin

[Subscribe via iTunes] http://itunes.apple.com/us/podcast/egm-radio/id538629924
[Subscribe via Feedburner] http://feeds.feedburner.com/EGMRadio

Sorry to have missed last week folks, but after a crazy celebration over the New York Giants winning the Super Bowl followed up by a week in Vegas for the 15th annual DICE Awards and I think you all might understand why I couldn’t get around to doing a write-up last week, which is especially sad because it was a very good week for comics. But, the week of February 8th was a very good week as well, especially for Marvel, and so without further ado here is the Pullbox.

1) Marvel – Deadpool #50: Kicking off the first really big event for our favorite Merc with a Mouth, Deadpool #50 starts off the “DEAD” story arc where Deadpool’s obsession with Death has pushed him to the brink (even for him) and so now he is playing his own sick game of chess with X-Force, Daken, The Kingpin, and many others in the Marvel Universe in order to finally fulfill his death wish.

Deadpool has been continually one of the consistently best written Marvel books due to writer Daniel Way writing the entire series up to this point (almost unheard of nowadays) and just when you thought things were going to start drying up and go stale, he kicks off this arc, which looks to shake up what we think of Deadpool in every way imaginable and have us laughing the whole time while he is doing it. Even if remotely a Deadpool fan, pick up this issue as it surely is a sign of big things to come. Or the end of everything. Not really sure which.

2) Marvel – The Incredible Hulk #5: Hulk begins fighting his way through Banner’s island of misfit gamma irradiated animals while Banner deals with his very human enemies on the other side of the island while trying to bring his mad quest to be reunited with the Hulk to an end.

The most shocking thing about this issue was the surprisingly crisp banter between all the characters. And the irradiated monkey poop. Easily the funniest moment of the week because it literally came from nowhere. The best part of this issue though is we finally learn how Hulk and Banner were separated and it was done by none other than Dr. Doom. Once again able to do what no one else in the Marvel Universe could (as is the greatness that is Doom), everything of course comes with a price and so finally it looks as if we are going to get the explosive issue we have been waiting for as Hulk comes face to face with Banner and will likely result in their re-bonding and Doom will call in the favor he earned by separating the two originally.

3) DC – Batman and Robin #6: Robin finally shows his true colors and we find out that he has been playing both Batman and Nobody and Batman tends to be a bit more forgiving of these things, and that’s saying something. 

This story had been drawn out just enough as we learn both a key element of Batman’s past via flashback and Robin endears himself to the audience as we realize he is just a son looking for his father’s acceptance. And in the superhero world, taking down a super villain by yourself would be the logical way to do that I suppose if you’re a 10-year old boy. But Robin is clearly in over his head and that vulnerability all around for the first time from this character I think really keeps him from falling down the Jason Todd path of 25 years ago as fans were starting to get uneasy with the smart mouth brat that is Damian most of the time. It will be interesting how Batman comes in to save the day and it will be even more interesting to see where the book goes from here.

4) DC – The Penguin: Pain and Prejudice #5 (of 5): The Penguin can’t help but resort to his old ways and they finally catch up to him and everything he thought he might have had is once again forcibly ripped away from him. 

This book is great because it helps show off the tragic dimensions of a character like the Penguin as many of the snippets we get where he plays the villain to Batman’s hero play him off mostly one-dimensionally. This book is also a real throwback to how Batman moves and reacts to all the situations around him and panel sequences where he moves silently through the shadows taking down one thug at a time reminds us just how awesome he is in a book that is supposed to be all about the Penguin. A tragic end for this tragic character really drives the point of the mini-series home and was overall a very well written book. If you’re looking for a little more depth from the Penguin for whatever reason, then this is a great series to start with and is highly recommended for all Batman fans.

5) Archie – Mega Man #10: Mega Man’s budding rivalry with Quick Man comes to a head and we start to see the Blue Bomber go a little power mad again as he begins collecting all these new powers. Will Mega Man be able to continue his pursuit of Dr. Wily or will this constant pace finally get the best of him? 

I loved this book because it had a ton of action with more classic Mega Man 2 bosses as Mega Man hits both the halfway point of his boss battles and the halfway point of this story. We also learn a bit of history about the bosses as Flame Man reveals and confirms that he is indeed Fireman 2.0 basically and Quick Man talks about how he is a combination of Gutsman and Bombman. Of course, this pattern will continue for many issues to come hopefully as I can’t wait to see now how Mega Man deals with Airman and the other remaining bosses before dealing with Wily again himself. If you grew up on the Blue Bomber’s video games, there is absolutely no reason not to be reading and loving this monthly right now.

Originally Published: April 5, 2011, on Youtube.com/Rcars4885

I come to you once again with your weekly geek fix, but now from my new apartment in…my grandmother’s attic! This week’s episode sees me review Deadpool Team-Up #883 from Marvel and WWE All-Stars from THQ. My hot chick pick of the week is Italian “journalist” Marika Fruscio and this week’s theme is Hulk Hogan’s theme “Real American”.

Originally Published: March 3, 2011, on Comicvine.com

It looks like the members of Uncanny X-Force have been shaken to their core after completing their first mission. Many are questioning their role and the moral implications in the killing of a child who was to grow up into one of their greatest villains, Apocalypse. So what does a team of some of the most badass mutants in the world do when the going gets tough? ROAD TRIP!

With this being pushed as The Year of the X-Men, Uncanny X-Force looks to be really thrown into the limelight, as they will be sent on a mission that will take them to Earth- 295. That’s right, X-Force may be done with their universe’s Apocalypse, but they may be seeing him, or at least some of his cronies, a little sooner than they thought in the Age of Apocalypse universe. But just why is X-Force leaving Earth-616? I doubt this is some kind of therapy session to validate the killing (for now) of their universe’s Apocalypse so they can get their heads back in the game.

For those of you who need a quick history lesson, back in 1995 Marvel introduced us to an alternate universe where Charles Xavier’s illegitimate son Legion traveled back in time to kill Magneto, which he thought would allow his dad’s dream of human/mutant equality come to light. Instead, he accidentally kills his dad and creates a branching universe where Magneto, in honor of his good friend, takes up his creed and becomes the fighting de facto leader of mutantkind. Seeing all this take place, Apocalypse, who doesn’t attack for another 10 years in the 616, feels that this is the perfect time to strike and basically conquers North America and lays waste to much of the rest of the world.

In Age of Apocalypse, we saw some radically different takes on classic X-Men characters. Some heroes were villains, like Dark Beast who found his way to the 616 and continues to haunt this universe’s X-Men. Some villains were heroes, like Sabretooth who was a member of the Age of Apocalypse’s X-Men. And some characters were just turned on their heads and we saw mirror images of them, like Nightcrawler who is much more violent and prone to offense than his 616 version and also hates churches, which is in direct contrast to the 616’s Nightcrawler who was very religious.

The first major milestone of this event is that even though mutants from Age of Apocalypse have traveled to the 616 (again, see Dark Beast), this marks the first time that mutants from the 616 will be heading to the Age of Apocalypse. This continues to beg the question though: why? Something to take note of is that in this teaser image, we see Archangel is not present.

“Archangel is not there for a reason, and it’s a reason you don’t expect,” said X-Force writer Rick Remender at the press conference Marvel had to talk about the future of the X-Men family of books. An obvious answer would be that the rest of X-Force fears Archangel not being able to handle possibly seeing Apocalypse again, in any iteration, or he himself fears it and doesn’t want to put any further strain on his special relationship with Psylocke. But if it’s something we don’t expect and since X-Force are the ones doing the time hopping, maybe they’re searching for something, or someone? Maybe to get some answers from some folks more accustomed to dealing with Apocalypse on a daily basis to get some help for their psychologically troubled metal winged friend?

Aside from this little rift in the team lineup, there will be two things that draw a lot of people’s attention from this arc. The first will be how this affects the current members of X-Force who are actually going and mutantkind possibly as a whole. We know nothing phases Fantomex and that he will do whatever necessary to get the job done, which if anything, makes him a character to keep an even closer eye on to see if his cool exterior finally cracks. But the characters we know that should have a reaction is the remainder of the team and it should be interesting to see how it plays out.

How will Wolverine react to seeing these different versions of Jean Grey, the love he could never obtain, Nightcrawler, one of his best friends, and be forced to maybe work alongside his greatest nemesis, Sabretooth, again (AoA Sabretooth is officially missing after his work with the Exiles, but this could bring him back)?

How will Psylocke react to possibly seeing herself? Although not part of the original Age of Apocalypse, she made her presence felt in the 2005 limited series and we learned she was similar to her 616 counterpart, but more ninja-like. I sense an awesome catfight waiting to happen there.

And finally, how will Deadpool react to his AoA counterpart, Dead Man Wade, a special assassin for Apocalypse in the AoA, actually being killed by AoA Nightcrawler? If the other characters meet their counterparts, it would be out of Deadpool’s character to not openly make a fuss in finding out what happened to his other self. Of course, seeing Deadpool as the most shaken of the group after killing the child Apocalypse and the revelation that he never cashed any of Archangel’s checks could be the base to start seeing a bit more mature Deadpool and a little less of the joking maniac we have become accustomed to so we may not see this touched upon as deeply as we would like.

The other big aspect is that Remender also talked about naturally expanding the X- Force roster and about Dark Beast being a major character again in this arc. Could he be the catalyst that propels our heroes to Earth-295? Could Dark Beast be the reason why Archangel is not present with the rest of X-Force or that the team will land in the AoA universe 10 years after the events of the 2005 limited series? Dark Beast could also be a perfect fit for the darker, seedier missions that X-Force usually has to take on so could he actually find himself as a new member of the team?

There are also a lot of characters that weren’t even mentioned. What characters from the AoA would you like to see be prominently featured in the new AoA arc and maybe even possibly join the X-Force roster? Comment below and weigh in on all these questions and let us know what you think! We’ll start to get our answers to what is shaping up to be a huge shake-up with Uncanny X-Force #11 in June.

Originally Published: February 1, 2011, on youtube.com/CGRUndertow

As a part of CGR Undertow, I reviewed Marvel Ultimate Alliance 2 for the Xbox 360.