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As part of the Marvel Video Games panel Saturday at San Diego ComicCon, LEGO Marvel Super Heroes game director Arthur Parsons revealed a plethora of the 150 characters that look to inhabit TT Games’ LEGO-fied Marvel Universe.

A special focus was given to the heavies, the hulking brutes who are far larger than most LEGO characters and were given their own trailer (embedded below). In it we see the Blob, Rhino, Kingpin, Lizard, Colossus, the Thing, and the Juggernaut join the likes of the Hulk and Abomination. We even catch a brief glimpse of Iron Man’s Hulkbuster armor in LEGO form.

Parsons had more up his sleeve at Comic-Con, playing a slideshow that a whole host of other Marvel characters set to make their LEGO debut. This list included the likes of:

  • Dr. Doom
  • Jean Grey
  • Beast
  • Gambit
  • Storm
  • Elektra
  • Magneto
  • Vulture
  • Silver Samurai
  • Punisher
  • Green Goblin
  • Iron Patriot (pre-order bonus)
  • Squirrel Girl
  • Sabertooth
  • Deadpool
  • Howard the Duck

And to cap off the cast additions, Parsons revealed that some Marvel execs, including the legendary Stan Lee (who then appeared on stage to arguably the loudest applause of the entire Con) would also appear in the game.

At the heartfelt behest of a young boy, Parsons also revealed that Doctor Strange had made the cut, and mentioned that Troy Baker will be playing Loki, Clark Gregg will reprise his role of Agent Coulson, and Nolan North returns to the character of Deadpool.

LEGO Marvel Super Heroes’ brick-building mayhem commences on the Xbox 360, PS3, PC, 3DS, DS, PS Vita, and Wii U this fall (sometime later for Xbox One and PS4). Excelsior!

Weighing in at 280 lbs. and hailing from Parts Unknown, The Ultimate Warrior will be playable in WWE2K14—if you pre-order the game.

This is a big deal for many wrestling fans. It marks the first time The Ultimate Warrior will appear in the yearly WWE franchise (having previously appeared only in WWE: Legends of Wrestlemania and WWE All-Stars). Many believe it was the strained relationship Warrior had with the WWE that resulted in his exclusion in the WWE games.

The Warrior celebrated the news with a visit to 2K Games, which you can see in the trailer embedded below.

Known for his phenomenal intensity in and around the ring, The Ultimate Warrior’s career peaked in 1990, when he knocked off Hulk Hogan at Wrestlemania VI in “The Ultimate Challenge,” during which both Hogan’s WWE Title and Warrior’s Intercontinental Title were on the line. This marked the first time one man held both belts, although it would be short-lived—Warrior would have to vacate the IC belt due to a stipulation at the time that no man could hold both titles. Not even an Ultimate one.

“Immortality is inspiration, pure and simple. An example to others that they, too, can do things larger than the life they are actually living, and Ultimate Warrior was the pure embodiment of this belief, in what has proven to be a very attention-getting and inspiring way,” said Warrior. “It was my good fortune to be his creator and performer, and I am humbled by all those fans who’ve not only kept his legacy alive, but deepened it over time. In WWE2K14, Ultimate Warrior’s creed, ‘Always Believe,’ lives on.”

You’ll get a chance to relive some of Warrior’s best matches if you “always believe” when WWE2K14 Gorilla Press Drops and then Running Splashes onto Xbox 360 and PS3 on October 29, 2013.

A new trailer for Pokémon X & Y highlights several new species of Pokémon, shows cover Pokémon Xerneas and Yveltal in action, and introduces key characters we’ll meet on our journey through the Kelos region.

Two Pokémon in particular caught my eye: the new Dark- and Fighting-type Pokémon, Pangoro—who looks like an angry panda—and the new Fairy-type Pokémon, Swirlix, which looks like cotton candy. In the trailer (embedded below), Swirlix can be seen using a move called Draining Kiss, a new move that’s basically the Fairy equivalent of Absorb for Grass types.

Meanwhile, Xerneas, officially revealed as a Fairy-type, uses a new move exclusive to its arsenal: Geomancy, which generates rainbow-colored light from the ground to damage enemies.

Not to be outdone, Yveltal uses its own exclusive move, Oblivion Wing, which sees the Dark- and Flying-type Pokémon take to the sky to blast a heat ray at its opponents. Kinda reminds me of Superman.

Some of the key human characters players will meet were also revealed, including Professor Augustine Sycamore—the man who will likely give us our first Pokémon—and Team Flare, the red-obsessed bad guys who surely wish to steal Pokémon for their own nefarious schemes.

Players will have the chance to come face to face with these new characters when Pokémon X & Y becomes available worldwide on October 12, 2013, for the Nintendo 3DS.

Check the full trailer out for yourselves:

Telltale’s take on 5 Lives

With fans of Telltale’s runaway hit based on Robert Kirkman’s The Walking Dead chomping at the bit to get their hands on the next season like a group of walkers with raw meat, 400 Days comes at just the right time—an appetizer of sorts for what the future may hold for the series. Functionally, 400 Days serves as a bridge between Season One and Two that looks to establish new characters we may meet, as well as a whole new series of choices that will continue to effect us and play out through the next season.

Now, with something so story-driven, I can’t get into many details without spoiling things. What I can tell you is that 400 Days centers around an abandoned pit stop diner/gas station where five different groups of people are put to the test throughout the first year of the outbreak. Some stand alone, while others unknowingly affect each other—and whatever decisions you make will have an effect on Season Two (when we’ll hopefully get to see Clementine again).

Yes, I can tell you that Clementine doesn’t make an appearance in this DLC. This may break a few hearts—we all want to get an inkling into the girl’s fate—but it gives a flurry of new and interesting characters who we might be able to look forward to Clementine meeting. This could give diehards of the series unprecedented insight into the people around them, not just the main character.

400 Days’ main purpose is to act as setup for Season Two more than anything, and may stand relatively far away from the first season. But it also makes plenty of subtle references to Season One that will have gamers who beat Lee and Clementine’s odyssey grinning ear to ear.

If you didn’t beat the first season, well, first: What are you waiting for?! Second, if five 20-30 minute bite-sized adventures are more your speed right now than a 2-3 hours chapter, you can still go ahead with 400 Days and not worry about spoilers. My only complaint with this DLC was that it was DLC and not a standalone episode since it makes for a perfect jumping in point for newcomers to the series. Instead, the game is only available to players who already have a Season One episode on their hard drives. Of course, this could be an ingenious way to try to hook players by making them buy both Season One and 400 Days.

In regards to the gameplay, it’s much of the same. It’s still primarily a point-and-click adventure, with occasional opportunities to walk around and chitchat with characters before making another impossible decision. The animations felt a lot smoother this time around, however, as compared to some of Season One’s episodes.

400 Days puts players in the same kind of gut-wrenching situations we expect from the franchise. I constantly had to deal with life and death choices, but the short nature of the chapters makes the decision feel like a morbid lightning round. This served as an interesting changeup to how the first season went about telling its story, while finding ways for players to invest in a whole new group of characters in a fast and fun way. All in all, this makes 400 Days possibly the most enjoyable chapter in the series yet—and a must play before The Walking Dead: Season Two starts later this year.

Developer: Telltale Games • Publisher: Telltale Games • ESRB: M – Mature • Release Date: 07.02.13
9.5
The perfect bridge between Season One and Two of The Walking Dead, 400 Days expertly sets up new characters in fun, interesting bite-sized chunks that will do nothing but get fans more hyped for Season Two.
The Good Makes some subtle, but enjoyable nods to Season One, while expertly building a narrative bridge to Season Two.
The Bad The stories hold up enough that the DLC could’ve been a standalone release.
The Ugly We still don’t know what happened to Clementine.
The Walking Dead: 400 Days is available on Xbox 360, PS3, PS Vita, PC, and iOS. Primary version reviewed was for Xbox 360.

 

Keep choppin’

Growing up in New Jersey, collegiate athletics always took a backseat to the professionals. That’s probably because we have a lot more pro teams in the area than legitimate college teams—and because the pros win a lot more championships. So, when it comes to college football, there’s only ever been one choice when it comes to pledging your allegiance: the Rutgers Scarlet Knights.

It was an easy choice, then, when it came time for me to decide who’d play the starring role in my NCAA Football 14 Dynasty. I’d continue the work that current Tampa Bay Buccaneers coach Greg Schiano started in Piscataway a decade ago, trying to further drag the name of Rutgers athletics out of the Division I muck.

Unfortunately, playing NCAA Football 14 is kind of like rooting for Rutgers: You do it because it’s the only option available. While a few tweaks here and there do add to the experience, most of this release comes across as a sad, mailed-in, final effort on this console generation before we get into the pomp and circumstance of the Xbox One and PlayStation 4. And with no one to give them any competition, it’s no surprise that NCAA’s bar continues to fall.

Speaking of low bars, one of the new additions to NCAA is the Nike Skills Trainer mode—a fancy way of saying “tutorial.” If this is your first time playing an NCAA game, the Skills Trainer is a safe way to not embarrass yourself when you actually get out on the gridiron, providing you with the ins and outs on how to run the option and how to put just enough touch on that pass into double coverage. But like with the rest of NCAA, numerous, frustrating logic flaws will probably have you wanting to take your lumps on the field instead.

First off, no tutorial should ever teach a newcomer to football that it’s OK to throw into double coverage. That goes against the most basic rules of the game, and the fact NCAA tries teaching this shows how far the game is up its own jockstrap. Also, the success criteria on several drills seem completely arbitrary. Several times in the option tutorial, I “failed”—and that’s because even though I made the pitch at the proper time, the play still got busted up by the AI. The reverse also happened: I didn’t make the pitch, got a huge gain, but since I was—according to the game’s broken AI—supposed to make the pitch, I failed. Once you’re in a real game, color commentator Kirk Herbstreit will even remark that getting a gain on a misread option—like I did in the drill—is “always a win.” Not according to NCAA Football 14, Kirk.

And this, I found out, would be the first of many logic problems I’d encounter throughout the game. Maybe this stems in part from the fact that college football rankings are a joke, based on an arbitrary voting system to determine the best teams and players in the nation. Maybe EA Tiburon is simply trying to simulate the “human” factor of many sports, but in a videogame, I need a little more AI and a little less “human” than what NCAA 14 provides.

The next failure came at the end of my first Dynasty season, when my Rutgers Scarlet Knights went 10-2 in a schedule that include five Top 25 teams—only losing to eventual (and undefeated) conference winner University of Houston and perpetual powerhouse Notre Dame—and were promptly relegated to the Kraft Fight Hunger Bowl. While fighting world hunger is certainly something to aspire to, that particular bowl game is anything but. To see my team, who finished with a No. 13 ranking and just two losses, get a worse bowl than schools with 8-4 and 9-3 records and lower rankings was infuriating.

But it wasn’t as infuriating as when my star running back, who amassed a stupendous 2,100 rushing yards and 16 TDs over the course of the season, wasn’t even nominated for the Heisman. I’m not saying he had to win it, but when the next-highest rusher was more than 500 yards behind him—and when that back managed to get nominated—the whole situation started to seem a bit ridiculous.

So, like I said, logic problems galore. But EA Tiburon has also made several changes that do improve on the overall experience. The recruiting system has been streamlined, so you now assign a limited number of points toward prospects that you wish to recruit hard, with bonuses given for random factors the particular recruit cares about. How close is your school to home, how much you win, how much playing time you promise, and more play into a recruit’s willingness to sign with you. This streamlined approach lets you get back and play your next game quickly, without spending hours trying to beg the top prospects to come play for you.

Of course, another added feature in Dynasty Mode is the new RPG-like progression system of your coaching staff. While this is finally a way to give more weight to wins and how well your team performs in games—a critical shortcoming of previous NCAA incarnations—this system feels like it throws off the balance of the game. After a while, the upgrades remove much of the challenge. More in-depth scouting, kickers that never freeze, fewer penalties on the field, and boosts to your team during critical game moments are just a few examples of the new “powers” your coach can have. Those are significant buffs, and since the core gameplay doesn’t ramp up to match your newfound abilities, it feels like you’re turning the difficulty down as you get better at the experience. A more effective way of doing this would’ve been giving players a choice of three or so boosts off the list of dozens you can unlock. That way, everyone’s coach would be a little different, but the game balance wouldn’t be upset in the process.

Another addition to NCAA this year? EA Sports’ card-based Ultimate Team. It’s about time this popular mode made it into NCAA, and die-hard players can now pick up Bo Jackson, Peyton Manning, Barry Sanders, Randy Moss, and more to make a superteam.

The core physics engine has also been modified—using an updated version of the same tech that debuted in last year’s Madden—in an attempt to provide a more realistic tackling experience and improve the run game AI, which it does on both accounts. For the most part, this might be the best actual football experience from the NCAA franchise to date, even if it’s at the sacrifice of in-house originality.

It’s just a shame that the engine doesn’t bring along more realistic visuals, too. NCAA 14’s graphics, by and large, still look like they’re from the beginning of this console generation—and the glitches don’t help with the lack of polish, either. Mind you, EA promised that a day-one patch would correct some technical bugs, but I’d be remiss if I didn’t mention that my experience included abysmal load times, a half-dozen crashes, and players who would literally stand still on the field in the middle of plays. With all the bugs I encountered, it had better be a massive patch.

Even still, I had fun with NCAA Football 14. I can’t deny that. It’s still football, and it still feels satisfying when you get a pick or score a late TD to ice a game. Ultimate Team and the streamlined recruitment process were nice touches, too. But when I look at NCAA, I can’t help but think to myself: If I were a true college football fan, why would I want to play a game that’s not bringing its very best to the field? In the end, it’s the same reason I root for Rutgers and not USC or Alabama: because I’m stuck with no other choice.

Developer: EA Tiburon • Publisher: EA Sports • ESRB: E – Everyone • Release Date: 07.09.13
6.5
A few tweaks, a couple of tacked-on modes, and some better mechanics from the borrowed Madden engine can’t overcome the basic logic flaws and imbalances that seem to be annual staples in NCAA.
The Good Ultimate Team debuts in NCAA; streamlined recruitment process.
The Bad Poorly balanced RPG-leveling system for coaches; logic problems galore.
The Ugly A lack of competition continues to result in a lack of ingenuity.
NCAA Football 14 is available on Xbox 360 and PS3. Primary version reviewed was for PS3.

There are many ways to tell a story through videogames. Something Assassin’s Creed IV lead writer Darby McDevitt wanted this time around, however, was to make sure Black Flag‘s world would help influence and tell the story—beyond expected arcs about buried treasure, damsels in distress, and massive naval battles associated with pirates.

Talking to EGM, McDevitt explained how part of this more subtle form of storytelling through environments starts with the major hub cities.

“You know, our cities are very different. Our city designers have been given a mandate to make sure Kingston has its own flavor. Kingston was a British colony, and the British were probably the worst proponents of slavery at the time, so we’re going to have them come across as the most adamant proponents of slavery,” McDevitt tells EGM. “They were also the worst behaved, so Kingston has to feel more like a town built on slavery and sailors and plantations and things like that.

“Havana was controlled by the Spanish, and they were a lot more—I don’t want to say ‘nice,’ because there’s nothing nice about slavery—but they have a lot more rules in place about buying and selling slaves.  It was much less common, so Havana feels different. It feels more Western European. Even the crowd flow is different, so you can tell stories on that scale.”

The cities in Black Flag only make up a small portion of the world you will explore, though. With some 75 uncharted locations in the game, there’s more than plenty of wilderness to explore and tame as well— within the main story.

“You can be wandering through a jungle and a tree has fallen over and there’s a dead body under it, and then it’s like, ‘Oh, what happened there?’ We’re trying to hit all of those levels, and I’ve found a lot of the little details have surprised me even as the writer,” explains McDevitt. “I think we’re putting a lot more care into that small detail of stripped environmental storytelling, and I hope that comes through to a much greater degree. So yeah, we’re trying to hit a broad sweep of storytelling through the entire world itself.”

Darby’s desire to change how the Assassin’s Creed series tells its stories doesn’t end with adding greater emphasis on environments servicing narrative. The writer also wants to see the ties between the past and the present featured more prominently—something he actively focused on while penning Black Flag.

“We designed the present story to kind of mirror Edward’s place in the story, too. I’ve always felt that the present day stories existed on different planes, you know,” says McDevitt. “Desmond had his thing going on, he was always going back into assassins’ memories to look for stuff, but the themes didn’t always match up. I did like that there was a nice father-son conflict in ACIII in the present and the past, so that was cool.  For ACIV, we wanted keep a little bit of that going. But I can’t say any more than that.”

For more on Assassin’s Creed: Black Flag—launching on PS3, Xbox 360, and Wii U October 29 with PC, PS4, and Xbox One versions to follow—be sure to check out EGM #260, available on newsstands everywhere now.

If you’ve followed hockey over the past 20 years, you know there have been few players as dominant as Martin Brodeur. Many consider him the greatest goaltender of all-time, as he holds or is tied for 25 different NHL records, including most wins and shutouts. He has won four Vezina trophies (best goalie in the league), three Stanley Cups, and even a pair of Olympic gold medals.

Now, he has one more line to add to his prolific list of accomplishments.

With more than 22 million votes cast, Brodeur has beaten out the Columbus Blue Jackets goaltender Sergei Bobrovsky to earn the right to be the cover athlete for EA Sports’ NHL 14.

Some would say that this was more about his career accomplishments—since his numbers have begun to trail off in the twilight of his career—but this was the second year that the public vote for the honor. If anyone nodded their head in Marty’s direction, it was the fans.

“The support I’ve received throughout the cover vote campaign has been incredible,” said Brodeur in a press release. “My kids pushed me to participate in the campaign, and they are really excited to see their dad on the cover of the game they play all the time. I want to thank all the NHL fans who campaigned and voted for me.”

Brodeur is the first goaltender to grace the cover since NHL 97, when John Vanbiesbrouck of the Florida Panthers was given the honor.

Of course, being a New York Rangers fan, this year I may have to print out a picture of Rangers’ captain Ryan Callahan and toss out Brodeur’s cover slip. No offense, Marty, but it wouldn’t feel right having you in my video game library.

NHL 14 skates onto PlayStation 3 and Xbox 360 September 10 in North America, September 13 in the rest of the world. 

One of the most appealing features of Assassin’s Creed IV: Black Flag is being able to captain your own pirate ship and set sail in any direction, with no man as your master. But piloting your own ship around the Caribbean is far from being a one-man task. You need people you can trust to help guide the ship through rough waters or difficult encounters with government ships less than welcoming to someone waving a black flag. You need a crew. In an interview with EGMAssassin’s Creed IV: Black Flag game director Ashraf Ismail talked at length about this key gameplay detail.

“We have two types of crews, there’s the named crew and then there’s sort of the Red Shirts. A lot of gameplay comes from the named characters, like your first mate. They have some side missions, which are very key to flushing out their story, to give them a bit more meat and purpose in the overall narrative. And they play gameplay roles as well.”

And while describing unnamed crew as “Red Shirts” might suggest they’re expendable, Ashraf says they aren’t just there to be randomly killed off. They still play critical roles in your adventures on the high seas.

“These are the crew that you can gain or lose based on how you play the game. The unnamed crew is really important for boarding.  If you’re taking on a man-of-war, and you go on with only 10 guys, you’re going to have a lot trouble,” explains Ismail.  “So you need to worry about your crew.  If you lose too much crew, you can’t populate your ship.  So you really have to pay attention to them in regards to the number you have on board.”

Should you fail in your duties as captain to protect and take care of your crew, you need not worry too much—it seems there are a boatload (pun intended) of available crewmen in Assassin’s Creed IV who would love to come aboard the Jackdaw.

“There’s a lot of mechanisms for acquiring crew [through] finding systemic events that have happened in the world that you can see,” says Ismail. “You can save crew and pirates from government patrols, you can go to taverns for crews, you can hire and pay for crew, you can save crew during some boarding scenarios based on some actions that you do, and you can also gain crew who mutinies from enemy ships.  So there’s a lot of ways to gain or lose unnamed crew.”

Through our conversation with Ashraf, we also learned that there is a limit to how much crew you can have. So if you are a phenomenal captain and thought you could just hoard potential crewmen, think again. The Jackdaw’s crew quarters are upgradable, though, so you can always bring more crew along over time (up to a point), of course.

For more information on what to expect from Assassin’s Creed: Black Flag—launching on PS3, Xbox 360, and Wii U October 29 with PC, PS4, and Xbox One versions to follow—be sure to check out EGM #260, available on newsstands everywhere now!  

Looking to avoid a sophomore slump, the guys over at Supergiant Games, creators of the smash hit Bastion, have a cyperpunk dream come true ready to deliver early in 2014 on PS4 (and potentially other systems). We had a chance to catch up with the studio’s creative director, Greg Kasavin, for a few minutes to get a more in-depth look at what makes Transistor tick.

EGM: What was some of the inspirations for Transistor’s cyberpunk theme?

Greg Kasavin: It’s always tough pinning down our inspirations, as we take sort of a melting-pot approach on our team, drawing from many different sources and media across all different aspects of the game. Where it started was, we really enjoyed creating the fantasy-themed world for our first game Bastion, and wanted to see what we could come up with in the science fiction genre this time around. While we were initially drawn to the cyberpunk aesthetic, we systematically rejected just about all the conventions, from the flowing trench coats to the pouring rain to the fat magnum pistols and so on. It’s not that we dislike these things — rather, we think they’ve been done really well elsewhere already, and it’s very important to us to find our own identity with our games. So we ended up with this romanticized, anachronistic-feeling city with some vintage qualities and some futuristic qualities as well. Jen Zee our art director took influence from the Art Nouveau movement of the early 20th century for aspects of the visual style, and we also looked to aspects of the late ’60s and ’70s when thinking about the game’s world. But that’s just one example. It takes us a while to distill all our ideas into something concrete, and the result contains influences from many different games and all sorts of different media from different eras.

EGM: I know there is a huge focus on Red’s voice being missing. Can you tell us a bit more about that?

GK: We were interested in the idea of a silent protagonist who was silent for reasons tied to the story, and having her paired up with another character with the opposite problem — his body is gone and all that’s left of him is his voice. We thought it would be interesting to explore this type of relationship through a game and let players get close to that relationship through their actions. I don’t want to say too much more about it since the story is very much about these characters and how they got into this situation, and what they’re going to do about it now. In Red’s case, we reveal early on that she was an up-and-coming star in this world, so the loss of her voice might be even worse for her than it would be for most people.

EGM: Tell us more about the unique combo system. Not only does Red have special attacks assigned to the face buttons, but she can stop time. Can you explain to us how it all works together?

GK: Red is having a very bad evening at the start of the game though the one consolation is that she discovers this extraordinary weapon called the Transistor. It turns out to have a variety of powerful functions, and one of them essentially lets her stop the entire world around her, plan her next set of actions, then execute them in a supercharged fashion. This is a core aspect of play, as we wanted to create a strategic and thoughtful feel to the action despite the simple-to-use controls. So, at almost any time you can use this ability to turn the tables, get out of a tight spot, overwhelm a particular opponent, and so on. We liked how open-ended it felt and wanted to create a deep-feeling system that provided a lot of natural drama. The exciting thing about planning is that plans sometimes don’t go over exactly as expected, and then you need to quickly re-evaluate the situation and make the best of it.

EGM: How hard is it to balance the combat between real-time and preventing players from just spamming the time stop ability?

GK: We were really interested in capturing the sensation of strategic and tactical games in the context of an action RPG, so finding the right balance between the real-time action and the ability to stop and plan was one of the central design challenges while we were prototyping. The strategic planning mode is very powerful though you quickly find it’s not to be used recklessly, since it leaves you vulnerable for several seconds after you use it. In this way there’s a natural incentive to use it wisely, to make sure you’re out of harm’s way at the end point of your plan. Likewise, some abilities or encounters may be easier or quicker if you duke it out in real time. We don’t want to force the planning mode onto players, we want them to discover it for themselves and decide when and how best to use it. On Bastion we were tweaking and tuning that game down to the very end of development, and I expect we’ll do the same with Transistor, though we’re happy with where that balance stands at the moment!

If you want more information about Transistor from Greg and the gang at Supergiant Games, be sure to pick up issue #260 of EGM available on newsstands now!

Don’t forget your syrup! We’re making pancakes!

It’s never easy turning a licensed product into a videogame, but it can be especially hard when it comes to comic books. Developers typically have a wealth of history from which to draw, but that also leads to fanatical fanbases who love to criticize the slightest bit of “creative interpretation.” Or, on the flipside, you’ll see projects commissioned to be made with half the budget and half the time—and then publishers wonder why we, the game-loving public, trash the end result.

But every now and again, the stars align. With time, money, knowledge, respect for the product, and understanding from the fanbase, you’ll have an experience worth playing. The guys at High Moon Studios are familiar with this; they’ve done it twice now with a pair of original Transformers videogames. But can they possibly handle the biggest challenge they’ve faced so far in the form of Deadpool?

Based on the Marvel character best known for breaking the fourth wall and spoofing a flurry of other comic-book characters, Deadpool is a love letter, plain and simple, to the fans who’ve supported him since the Rob Liefeld/Fabien Nicieza days in the early ’90s. Luckily for us, though (no offense to those guys—well, maybe Liefeld a little), High Moon asked Daniel Way to write the script instead. Fitting, since Way’s run with the character is probably why Deadpool’s now at the height of his popularity.

And the game unfolds exactly how Deadpool fans might expect: Everyone’s favorite Merc with a Mouth decides he wants to be in his own videogame. Yep, fourth wall already smashed to smithereens. So he calls up the guys at High Moon, threatens them (a lot!), and gets the green light. We then begin stage one, where Deadpool must hunt down a big-time executive type in order to rake in a big bounty. Unfortunately for Deadpool, this particular fat cat is doing business with the Marauders and Mister Sinister, and he’s under their protection. Deadpool can’t be having that—no, sir!

Thus begins one of the wildest gaming rides I’ve had in quite some time. Sure, Way’s comics made me laugh for a couple of minutes each month, but this game had me in stitches for almost the entire eight-hour experience (give or take an hour, depending on your difficulty).

Aside from the smartly executed script, the game looks solid; it’s firmly entrenched in Marvel lore, yet it’s also got a splash of Looney Tunes when it comes to animations, character reactions, and general tomfoolery. The excellent voice work certainly adds to the atmosphere, too. Nolan North channels every ounce of Deadpool (and the voices in his head) he can muster through that red-and-black mask and when grouped with other voice veterans like Steve Blum as Wolverine and Fred Tatasciore as Cable, the acting is top notch.

But not everything about Deadpool is a perfect mile-high pile of pancakes. Deadpool loves guns. He also loves swords. In fact, any tool that can deal death is a high priority in his fractured mind. So High Moon faced an understandably difficult undertaking in finding the proper balance between guns and melee weapons. Unfortunately, the Deadpool game doesn’t quite get that balance right as the action ebbs and flows back and forth between having to use guns and then use melee weapons, instead of blending the two together more to craft a smoother combat experience. Also, while the combo system works fine and sees Deadpool transition smoothly from enemy to enemy, the broken camera and floaty platforming sequences serve as unseen foes that ultimately detract from the experience.

Still, Deadpool also features a few combat tweaks that definitely add to the experience, such as a “Momentum Meter” that fills up with continued success. The upgrade system that requires you to cash in “Deadpool Points” earned from massive combos is a decent touch, and being able to wield a variety of handheld, throwable, and projectile weapons helps keep the experience from becoming a complete button-masher. The game also offers eight challenge maps—with four levels of difficulty—that offer some replayability.

Even with a few gameplay issues, Deadpool hit just about every note I wanted. The campaign offers enough hysterical choices that I played through it several times—and I even watched as others in the office experienced it for the first time. Ah, so many fond memories.

If you’re a fan of Deadpool, you’ll certainly appreciate the experience, but if you’re really unfamiliar with the character (even though I don’t know how that’s possible at this point), you might be a bit wary of having this game be your first experience with Wade Wilson (Oh, no! I revealed his secret identity! Spoilers!).

Developer: High Moon Studios • Publisher: Activision • ESRB: M – Mature • Release Date: 06.25.13
8.0

You’ll be fighting the camera sometimes as much as enemies, and the balance between guns and melee needs a bit more work, but most of the time, I was laughing too hard to care. The script is a love letter to Deadpool fans, so if you love the Merc with the Mouth, this game will hit your chimichanga-flavored sweet spot.

The Good Hysterical story that channels the best of Deadpoool.
The Bad Balance between melee and guns needs work; camera can be a hindrance.
The Ugly WHERE’S HYDRA BOB?!
Deadpool is available on Xbox 360, PS3, and PC. Primary version reviewed was for Xbox 360.