Tag Archive: video games


Needs to repair some divots

Surprisingly, I have found an appreciation for golf as I’ve gotten older. Sure, I’m more likely to channel Jack Nicholson and swing a golf club at someone than to take it to the links. Now and again, though, I’ll tune into a major championship and see who is making a run. So, I was curious when Rory McIlroy PGA Tour arrived, the return of EA Sports’ long-running golf franchise, which skipped releasing an edition in 2014.

PGA Tour takes no time at all throwing you into a high-stakes, high-pressure situation with its new Prologue. Following cover boy Rory McIlroy down the stretch of his run for the 2014 Open championship, the game introduces you to its three control schemes as McIlroy himself explains how he handles golf’s biggest stages. Whether you choose the simulation-heavy method with no assists, the arcade style in which you can adjust your ball in mid-air, or the old-school three-click system to minimize the human element, each mode seemed as though it could cater to golf gamers of all experience levels.

The most impressive part of the control schemes probably comes from the customizable aspects, though. Since I preferred a hybrid arcade/three-click system, I crafted and saved a custom control set so I regularly landed on the greens. I loved that PGA Tour allowed me to contort its deep selection of controls to make even my ham-handed efforts more enjoyable.

Except for when it came to the short game.

Putting remains, even after all these years, my great nemesis, and additional assists would’ve been nice. While the current system remains similar to those from years past—showing the slope of the green, and the path one should hit the ball on—there’s no clear formula to figure out how to navigate each unique green and how much power to put behind a shot.

Nothing is more frustrating than sending the ball on a proper trajectory, only to have it to skip over the cup because you put too much oomph behind it, or for it to rim out because you shot it a hair to the left or right. If we can have sight lines when driving towards the green, I don’t see why we can’t have them on the greens themselves so we’re not making educated guesses all the time as to where our ball will go.

Putting woes aside, playing the optional Prologue was a great warm-up to re-introduce myself to the franchise. It also illustrated the power of Frostbite 3, since PGA Tour looks better than any golf game has a right to, with even the tiniest of details popping off the screen. The game’s improved ball physics offer more realistic bounces and ricochets, as well. Lastly, load times between holes are a thing of the past, coming now only between rounds of a tournament.

Sadly, players will find few modes after the Prologue. Most online modes have been trimmed to the bare minimum, reminding me of the difficult time the NHL series had coming to new-gen systems last year. The Country Club mode of years past, in which you could start your own online community, has been nixed and even rule modes such as Skins or Battle Golf have been scrapped. Even many of the courses and golfers of years past, including legendary golfers and those that appear on the LPGA, have been entirely removed from the game for unknown reasons. Only stroke and match play remain, online or locally. At the very least, the servers seemed quick and steady when I played.

The newly added Golf Club mode lessens the blow of these losses, but not enough to save the game as a whole. With zany golf balls that can stick to a surface or be remotely controlled through obstacles, Golf Club provides a nice change of pace from your prototypical golf experience. Its 170 or so challenges make you think outside the tee box. Each challenge offers some replayability with three high scores to aim for, and takes place on crazy courses such as the Battlefield 4-inspired Paracel Storm course, which is chock full of par-3s. But this collection of mini-games can’t hide the fact that so many other features have been sacrificed in this year’s game.

In this version, designers have even cut too much from the Career Mode. I don’t mind that the amateur tournaments were removed in favor of putting you right on the tour, but players are at a distinct disadvantage when your created golfer starts at 60 overall but must compete against 80 and 90 overall golfers such as Rory McIlroy. The tournaments’ absence means you don’t have time to build up your golfer’s XP. If you’re cutting the pre-tournaments, at least start me at a 75 or so.

Beyond this, the mode has no substance. You have to play every tournament, unlike the pros who sometimes skip an event to rest before a major championship. The game doesn’t give you a calendar, so you can’t look ahead to figure out where you can make up points, if need be, in the FedEx Cup standings. All you get is some lifeless text-filled screens congratulating you before you’re off to the next tournament. Even the Create-a-Pro feature when you start your career has been scaled back, using template golfer bodies and faces in lieu of the body and face sculpting features of years past.

Rory McIlroy PGA Tour is a step forward for the franchise in some ways, but in many others it’s also a step back. EA Sports has had a difficult time transitioning so many annual franchises to new-gen hardware, but cutting out modes and features is never the way to go. No matter how good your game looks, appearances will never make up for a lack of content.

However, this year’s PGA Tour probably plays better in most areas than it did when Tiger Woods graced the cover. If you want a golf sim that plays solidly and shuffles you from hole-to-hole, PGA Tour will suffice. But if you’re looking for a golf game with substance, you’re better off grabbing a set of clubs and heading to your own local links.

Developer: EA Tiburon • Publisher: EA Sports • ESRB: E – Everyone • Release Date: 07.14.15
6.5
Rory McIlroy PGA Tour plays better in many ways than when Tiger Woods graced the cover, but the removal of so many modes and continuous shortcomings with the short game make this a disappointing debut on new-gen hardware.
The Good Looks better than any golf game needs to. Multiple control schemes and great physics.
The Bad Short game comes up, well, short. Less content than when Tiger Woods was on the cover.
The Ugly The controller I broke after just missing so many par putts.
Rory McIlroy PGA Tour is available on Xbox One and PS4. Primary version reviewed was for Xbox One. Review code was provided by EA Sports for the benefit of this review.

Thousands of athletes who played college football or basketball and had their likenesses used in a video game are about to finally get paid, CBS Sports reports.

Yesterday, US District Judge Claudia Wilken approved the combined $60 million dollar settlement that EA Sports and the NCAA will have to dish out to former players who had their likenesses used in video games, with EA Sports taking the $40 million dollar brunt of it. This will end the claims against the game manufacturer, the Collegiate Licensing Company, and the NCAA over the issue of players’ names, images, and likenesses that were used between 2003 and 2014.

More than 20,000 claims, including over 400 from current athletes, have already been made against EA Sports and the NCAA and the deadline to file is July 31. Claims can be made here.

Players who were most prominently featured and who were in the most games could receive as much as $7,200, said Steve Berman, one of the attorneys fighting for the players. It is possible that that number could increase, though, according to Rob Carey, the second attorney fighting on behalf of the players. Carey says that Judge Wilken could order the standard attorney fee of 33-percent be lowered to 30-percent, which would obviously increase the money pool for the players.

This decision will mark the first time collegiate athletes can legally be paid, and if there are no appeals to slow down the process, payments could start going out as soon as September. This continues a tidal wave of support behind collegiate athletes getting paid for their services on the field beyond just an education, due to the fact that most can’t rely on family support and don’t have the time for a part-time job and therefore don’t have the money to feed or clothe themselves off the field or court.

Recently, I had the chance to talk with the legendary Stone Cold Steve Austin during the filming of his WWE 2K16 reveal trailer. What does the toughest man to ever step inside the squared circle have to say about being named the cover athlete? Hear what he told me in this behind-the-scenes video interview!

WWE 2K16 will be available on October 27 for Xbox One and PS4.

Publisher Deep Silver announced today that Yager Development is no longer working on Dead Island 2.

“With Dead Island 2, Deep Silver has always been dedicated to delivering the sequel that Dead Island fans deserve. After careful consideration, today we announce the decision to part ways with development partner Yager. We will continue working towards bringing our vision of Dead Island 2 to life, and we will share further information at a later stage,” Deep Silver said in a statement through a spokesperson.

This comes as a shock to many since Yager had been working on the game for quite some time now. Red flags emerged, however, when it’s mid-2015 release was pushed all the way back into 2016 a couple of months ago.

Yager is best known most likely for developing 2012’s Spec Ops: The Line from 2K. They had taken over the Dead Island franchise from Techland, who developed the first Dead Island and Dead Island: Riptide, after Techland parted ways with Deep Silver to do Dying Light for Warner Bros.

The premise behind Dead Island 2 is that the epidemic that ravaged the fictional island of Banoi in the first game now hits the California coast. Players will be tasked with traveling between Los Angeles and San Francisco while they try to survive the quarantine put in place by the US government.

There is no word yet as to who will replace Yager as the primary developer, or how this will affect Dead Island 2’s planned release for 2016.

The Launch Day crew talk through some of their favorite games at E3 2015, including Sony’s line-up led by Uncharted 4’s incredible demo and more VR insight (now with more zombies!).

After Bethesda’s E3 2015 presser, I speculate in front of the Dolby Theatre for Launch Day about what we might see in the newly revealed DOOM.

After Bethesda’s E3 2015 press conference, I geek out in front of the Dolby Theatre letting you know everything we know so far about Dishonored 2.

After Bethesda’s E3 2015 press conference, I geek out in front of the Dolby Theatre letting you know everything we know so far about Fallout 4.

During E3 2015, I had a chance to talk to principal designer Francesco Antolini for Walmart Gamecenter about Avalanche Studios’ upcoming open-world game Just Cause 3!

Knightfall

Editor’s Note: Because of the issues I had with the story, I will be referencing several major reveals from the game, as well as the prior game’s ending. If you wish to remain spoiler free, consider yourself warned. 

Whenever a modern, story-driven action game transforms into a successful series, particularly a trilogy, it starts to suffer from Star Wars syndrome. The middle game is always the best, and all the prequels aren’t nearly as good as the originals. We’ve seen this with Gears of War, God of War, and even Uncharted. Well, we can now add one more trilogy to that list: the Batman: Arkham games.

That’s not to say that Batman: Arkham Knight is an awful game. It’s just inferior to its predecessors (except for prequel Arkham Origins). Instead of bringing everything to a natural conclusion and tying up all the loose ends it left open from previous games, it tries to cram too many new conflicts into this final title in an attempt to needlessly raise the stakes—which were plenty high enough as they were. The results feel like a narrative mess, and I think a large part of this is the result of developer Rocksteady writing the script in-house instead of having it done by a veteran Batman scribe like Paul Dini, who also happened to pen both Arkham Asylum and Arkham City.

Taking elements from some of the more epic Batman stories over the past three decades from various forms of media—including Death of the Family, Death in the Family, Under the Red Hood, and Batman Beyond: Return of the JokerBatman: Arkham Knight sees the Scarecrow filling the criminal void left by the Joker nearly a year after his demise in Arkham City. With his most potent Fear Toxin formula yet, Scarecrow threatens to detonate a bomb that would blanket the entire Eastern Seaboard in the stuff, sending every man, woman, and child into a state or perpetual terror.

This, in and of itself, would’ve been a fine conclusion for the Arkham series, revolving around Batman having to constantly overcome his fears. Also along for the ride, however, is the Arkham Knight—a “new” character whose identity Batman fans should easily be able to deduce based on his taunting dialogue and how well he knows the Dark Knight. But even those who don’t immediately uncover the Arkham Knight’s identity will surely notice the cavalcade of clues, because Rocksteady wanted to make sure they really spelled it out before the big reveal.

Easily the worst narrative decision stems from the fact that Rocksteady and/or Warner Bros. wasn’t brave enough to make a Batman game that didn’t feature the Joker as a major player, though. For some reason, the Joker’s spirit lives on inside of Batman and several other of Gotham’s less fortunate citizens through his contaminated blood (I guess that cure in Arkham City wasn’t good enough), and Joker’s personality is trying to assert itself over those bodies in an attempt to cheat death. As time goes on and they become weaker, the Joker’s personality emerges more and more.

At that point, even as a comic book fan, it was too much. To have three major villains vying for attention in your main story—one in an incorporeal form—left a bad taste in my mouth. At the very least, the game’s ending felt like a fitting conclusion to the series, but I just wish it weren’t such a mess of an adventure getting to that point.

Instead of trying to shoehorn so many foes into the main story, maybe Rocksteady could’ve just added more side villains to allow the primary plot a chance to breathe. Those that are included—referred to as “Gotham’s Most Wanted” in-game, since you have to actually drag them back to GCPD after defeating them—provide a nice respite from the muck that is the main narrative. I could’ve easily done with more, especially Hush, Man-Bat, and Deacon Blackfire—or at least some longer missions involving them. The game does feature more than a dozen side missions in total built around a double-digit amount of classic Batman rivals, which helps to take some of the focus off of Scarecrow, Joker, and Arkham Knight. It’s a testament to the size of the world that it never felt like any of Batman’s Rogues’ Gallery encroached on each other’s turf, and I still had to search long and hard at times to uncover my next set of clues.

That’s definitely one of Rocksteady’s most impressive achievements with Arkham Knight. Gotham City is absolutely massive and comes alive like never before. Whether it’s ACE Chemicals, Port Adams, the GCPD, or Wayne Tower, the game includes every building and street that Bat-fans want to see, and you can seamlessly explore them all with no loading times while you hunt down your enemies as Batman.

Plus, Detective Mode has been expanded to help you on those hunts. With new elements like deep-tissue analysis on murder victims, security camera footage reviews, and fingerprint reconstruction, along with the addition of crime scene reconstruction from Arkham Origins, prowling Gotham for clues is as rewarding as ever.

Combat remains the high point of the Arkham series here, though. The smooth, free-flowing battles return, meaning that you’ll pull off 50-hit combos with regularity, but the game also adds new throw counters that help with crowd control, and instant environmental takedowns that can immediately remove the toughest thugs from a fight. Arkham Knight even offers special missions where you’ll team up with Robin, Nightwing, or Catwoman and can take control of them mid-fight instead of Batman as seamlessly as you do a counter, or perform team-up moves for some truly epic action. With these added nuances to combat, no encounter ever plays out the same way twice.

Predator Room combat has also seen a drastic improvement. The new Fear Takedowns allow you to remove as many as five enemies from the field at once when you’re fully upgraded. This will have you planning out your knockouts well in advance in an attempt to get enemies to bunch up together so you can swoop in and wipe them out in a single flourish. New devices like the Disruptor also lend a hand in planning strategy before jumping into the fray, since its special bolts will jam any gun—and, when upgraded, it can even short out enemy drones.

I wish that every element of Arkham Knight’s gameplay were so stellar. On the whole, all of these additions and improvements almost make you forget about the muddled plot. Then you get in the Batmobile. This was one of Rocksteady’s most touted features leading up to the game’s launch, and at times, the Batmobile is everything it was supposed to be: a dual threat fast enough to chase down fleeing enemies that still packs enough firepower in combat mode to take on dozens of Arkham Knight drones. The Batmobile even helps with ground combat by unleashing rubber bullets that incapacitate enemies in the streets.

But Arkham Knight relies on Batman’s ride far too often—and in far too many missions. The car’s deficiencies easily become evident, and it’s revealed to be one of the least enjoyable aspects of the game. I get that it’s supposed to be this monstrous vehicle, but trying to control the Batmobile in pursuit mode is a chore; it pinballs all over the road. Even after putting 30 hours into the game, with more than half of them in that damn car, I still never felt like I was in complete control.

And the Batmobile’s tank mode is even worse. While it features a strafe ability, I still felt like I was a sitting duck most of the time during an enemy missile lock-on, since the strafe only moves you a short distance in a particular direction. Then you have to try to dance between the two Batmobile forms to sneak up on certain tanks. They wanted me to be stealthy? In the Batmobile?! I just wanted to hang up the cape and cowl at that point.

The problems don’t stop with the Batmobile gameplay, though: Arkham Knight includes its fair share of bugs. I played on Xbox One and didn’t experience all the glitches that make the PC version unplayable, but the Batmobile still fell through the world in several instances where I had to drive up walls. And the bugs weren’t limited to the car, either. Several times I had to restart checkpoints when necessary button prompts wouldn’t appear, and I couldn’t advance unless I reloaded.

As much as I loved Arkham City and Arkham Asylum, Arkham Knight is nothing short of a disappointment. Two things are clear: Sefton Hill and his team of writers pale in comparison to Paul Dini, and Rocksteady should stay as far away from car combat as possible in the future. The excellent gameplay foundations, however, still shine. The fighting, side content, and stealth are as polished as ever, and considering the massive world fans have to explore here, they should still find something to enjoy with Arkham Knight, even if it’s not the conclusion we all hoped for.

Developer: Rocksteady Studio • Publisher: Warner Bros. Interactive Entertainment • ESRB: M – Mature • Release Date: 06.23.15
6.5
The main story is a convoluted mess, and the Batmobile gameplay is a serious detractor on the fun factor—especially since the Dark Knight is forced to use this clunky vehicle far too often. The combat outside of the car is better than ever, though, so exploring the game’s bountiful side content remains a bright spot in an overall disappointing conclusion to the Arkham franchise.
The Good The combat might be better than ever, the world is absolutely massive, and the story provides a fitting end to the Batman of the Arkhamverse.
The Bad There’s too much reliance on the Batmobile, the Joker aspects are unnecessary, and the game has a fair amount of glitches.
The Ugly Every Batman fan will be able to guess the identity of the Arkham Knight from his dialogue long before the big reveal.
Batman: Arkham Knight is available on Xbox One, PS4, and PC. Primary version reviewed was for Xbox One. Review code was provided by Warner Bros. Interactive Entertainment for the benefit of this review.