Tag Archive: GDC


Yesterday, organizers for the 17th annual GDC Awards announced their nominations in 10 categories recognizing the top games, studios, and developers from around the industry.

Leading the way is my personal pick for Game of the Year, Playdead’s sophomore effort Inside with six noms, including GDC’s Game of the Year. Blizzard’s Overwatch and indie Campo Santo’s Firewatch (no relation) come up next with nods in five categories, also including Game of the Year. Uncharted 4: A Thief’s End (four nominations) and Dishonored 2 (two nominations) round out the Game of the Year field. Nominations in all categories can be seen below.

It was also announced that the legendary Tim Schafer, founder of Double Fine Productions, would be returning to host the show this year. This will be Tim’s sixth time hosting the show, continuing a pattern of him hosting every other year since 2007.

The GDC Awards are determined each year by the International Choice Awards Network, an invitation-only organization started by the folks behind GDC, and which is comprised of leading game creators from all parts of the industry. Any video game released via any medium within the calendar year of 2016 was eligible for this year’s awards. All ICAN members can nominate games, and when combined with the votes of a 22-member awards advisory board, lead to the nominations and winners in each category.

The GDC Awards will be held on March 1, 2017, at the Moscone Convention Center in San Francisco, starting at 6:30 PM PT. Here now is the full list of nominees at this year’s show.

BEST AUDIO 

  • Battlefield 1
  • Thumper
  • DOOM
  • Inside
  • Overwatch

BEST DEBUT

  • Heart Machine (Hyper Light Drifter)
  • Campo Santo (Firewatch)
  • ConcernedApe (Stardew Valley)
  • Drool (Thumper)
  • Night School Studio (Oxenfree)

BEST DESIGN

  • Overwatch
  • Dishonored 2
  • The Witness
  • Inside
  • DOOM

BEST MOBILE/HANDHELD GAME

  • Super Mario Run
  • Clash Royale
  • Pokémon GO
  • Reigns
  • Pokémon Sun/Moon

INNOVATION AWARD

  • The Witness
  • Inside
  • No Man’s Sky
  • Firewatch
  • Pokémon GO

BEST NARRATIVE

  • The Last Guardian
  • Oxenfree
  • Uncharted 4: A Thief’s End
  • Inside
  • Firewatch

BEST TECHNOLOGY 

  • Battlefield 1
  • No Man’s Sky
  • Overwatch
  • DOOM
  • Uncharted 4: A Thief’s End

BEST VISUAL ART

  • Firewatch
  • The Last Guardian
  • Overwatch
  • Uncharted 4: A Thief’s End
  • Inside

BEST VR/AR GAME

  • Rez Infinite
  • Superhot VR
  • Job Simulator: The 2050 Archives
  • Pokémon GO
  • Fantastic Contraption

GAME OF THE YEAR

  • Uncharted 4: A Thief’s End
  • Overwatch
  • Inside
  • Dishonored 2
  • Firewatch

Back when the game was first announced, if you told me that “family” was going to be one of the key themes of Mortal Kombat X, I’d have looked at you like you had two heads. This was the franchise that 7-year-old me lied to his parents about the level of violence in order to get the game for home consoles. This was a series built on the decapitated heads and severed limbs brought about by countless arcade players with nimble-enough fingers to pull off some impossible Fatalities. I never thought something as wholesome as “family” could fit into Mortal Kombat.

But leave it to the developers at NetherRealm Studios to turn even this concept on its head. At GDC 2015, I learned that Johnny Cage would return as a playable character in Mortal Kombat X, and I briefly got to go hands-on with him in the first chapter of the game’s story mode.

I’ve always enjoyed playing as Johnny Cage, but part of his charm as a character has always come from his interactions with his beloved Sonya Blade, since she acts as a grounding force for Johnny’s over-the-top bravado. To my delight, she was present throughout many of his cutscenes, too. It’s always nice to see one of gaming’s earliest power couples reunited (and doesn’t CageBlade sound infinitely more badass than Brangelina?). Throw daughter Cassie into the mix, and you’ve got the whole Cage bloodline present and accounted for here.

As the story begins, Shinnok, the fallen Elder God and master of the Netherrealm, tries to invade Earthrealm. Among Shinnok’s army of winged, fire-breathing demons are the reanimated, undead bodies of Sindel, Kabal, Stryker, Jax, and others controlled by Shinnok’s necromancer disciple, Quan Chi. As the world goes to hell around them, Johnny, Sonya, and Kenshi take a helicopter toward Raiden’s temple (where Shinnok is focusing his attack) in the hopes of possibly ending this war at the source—but, as you can imagine, things don’t go according to plan.

Mortal Kombat X’s story mode plays out similarly to Injustice: Gods Among Us. You’ll control a character for several fights that clump together as a chapter; that moves the story forward, and you’ll then take over as another character on the roster. This way, players can become familiar with multiple fighters if they’re new to the series, as well as experience the story from multiple points of view.

In Johnny’s case, his chapter consisted of four fights before I switched characters—or I would have, but the demo ended before I found out who would pilot Chapter Two. Johnny’s signature moves like the Shadow Kick and Green Flame were present and accounted for, and I even got to try out some environmental hazards, such as jumping off a wrecked car to close the distance on a far-away Scorpion and deliver a jump kick.

The game looked like one of the best new-gen titles yet, with each level providing an exquisite amount of detail. Whether it was Raiden’s temple or a destroyed city street surrounded by crumbling buildings, Mortal Kombat X looks nothing short of gorgeous. How it plays might be another story, however.

For example, I was a little taken aback that Johnny Cage felt slower than I remembered. I adapted by the end of the demo and delivered some solid combos by the time the chapter was over, but I don’t know if Johnny’s just gotten slower due to his age or whether the game as a whole is a half-step off, since I only got to play as him in the demo. Of course, it’s also difficult to judge based on only four fights.

Aside from this, it felt really good bashing people’s faces in, and I couldn’t help but get more amped up for the final game, where I can mess around with some Fatalities and Brutalities. Since we had only a limited amount of time, however, I only pulled off an X-ray maneuver.

In regards to the little bit I saw of the actual story, I’m also curious to see where all that goes. Kenshi and Jax were confirmed as appearing in-game during my playtime (Kenshi in cutscenes, Jax as one of Johnny’s opponents), and their kids are playable characters, too. There’s also Kung Lin being related to Kung Lao somehow, and even Scorpion has a fatherly relationship with Kenshi’s son, since he trained him. From what I saw, there seems to be a stronger emphasis on character relationships in the story here than in any previous Mortal Kombat game.

I imagine I’ll get some sort of payoff once I get to play the entire story mode come review time, but for now, this theme of “family” in Mortal Kombat X’s story is an intriguing one. It could serve as a welcome continued evolution of the series, or it might end up as an overplayed premise that makes the experience more cheesy than cool. As someone who’s been a fan since that very first chapter back in 1992, though, I think giving these longstanding characters more depth can only be a good thing.

Carving out a niche

The big project on everyone’s mind during this year’s GDC was, of course, Sony’s Project Morpheus. Because of this, another work-in-progress at the show might have flown under a lot of people’s radar, but I went hands-on with it before the week was through—and it’s finally ready to be revealed.

Project Totem is the latest Microsoft exclusive from developer Press Play, the folks behind Max: The Curse of Brotherhood. It’s a puzzle-platformer that, like many games in the genre, has a simple premise. You play as a pair of blocks that normally would sit in a totem pole. Each block is sent down a path that often has a similar, yet not exactly identical, layout to their counterpart.  Your objective? Get both blocks to the end of the course in order to unlock larger and more intricate carvings for the ultimate totem pole.

Where puzzle-platformers shine isn’t why you’re running these courses, but in how you traverse them. Gameplay is the driving force in this genre, and fortunately, even in the six pre-alpha-build single-player stages I was able to test, there seems to be enough easy-to-learn-yet-difficult-to-master mechanics to give Project Totem the addictiveness to compete against similar games.

The first, most critical element that I needed to learn was that the totem pieces are always linked. When one jumps, so does the other. When the other runs right, so does the other. Run left, and…hopefully you get the picture. The puzzle aspects quickly become evident from this mechanic when the courses stop being as identical as the totem pieces. Some pathways can only open when one of the totems steps on a particular switch. Other pathways can only be walked through by pieces of a certain color. And sometimes the lower totem block will have to serve as a stepping-stone for the upper one to reach the next platform.

As the courses become more intricate, the totem blocks also begin to acquire special powers. The first of these makes it so the two blocks can flip-flop positions at any time, even in mid-air, to move through color-coded barriers. Meanwhile, certain powers allow you to change the gravity of a single piece so one can be walking on the ceiling while another is on the floor.

Just as I began to get comfortable with these abilities, though, I had to start using them in unison. For example, in one instance I had to swap totems while simultaneously having one of them use its gravity powers. As more powers become unlocked, it was easy to imagine how crazy it might be to use three or four powers quickly in succession or different powers for each individual piece.

Besides this single-player mode, there’s also a time-trial mode to see how fast a player can beat each stage. The game also offers local co-op, which has completely different stages from single-player. Also, instead of each player controlling an individual totem (that would probably be a bit too easy), they control two totems for a total of four totems onscreen at once. When obstacles start becoming three and four blocks high, the emphasis on teamwork quickly becomes clear.

Even though Project Totem is still in its pre-alpha phase, Press Play is confident they can have the game available for download on Xbox 360 and Xbox One sometime in Q3 2014. And from what I was able to play of it at GDC, I’m fairly confident they can hit that mark, since the seven total stages each had a layer of polish you don’t normally see from games still labeled as pre-alpha. The controls were tight, the obstacles were creative, and there was a nice feeling of accomplishment every time I overcame a new challenge. If that’s any sign of what’s to come, puzzle-platformer fans should definitely keep an eye out for this one.

The Dark Knight returns

Everyone who knows me understands that I am one of the biggest Batman fans around. I spit out comic book storyline recaps like they were scripture and swear by all things The Dark Knight. So, when Warner Bros. announced Batman: Arkham Knight—and the return of Arkham Asylum and Arkham City developer Rocksteady to the franchise—my elation could hardly be contained.  My feelings of ecstasy only intensified, however, when I was finally allowed to see a half-hour of the game at GDC last week.

With bated bat-breath I watched as Rocksteady devs showed us what they’d been working on as their first project for the new generation of consoles (and PC). The Scarecrow threatens Gotham with a WMD that would flood the streets with a new, highly potent brand of his trademark fear toxin. After evacuating millions of people out of Gotham, all that remains is a skeleton police force, the criminals who want to take advantage of the mayhem, and the Batman.  But Batman isn’t alone in the shadows. In addition to Rogues Gallery mainstays like Two-Face, Penguin, and Riddler, a new villain, the Arkham Knight, emerges.

Although Rocksteady isn’t divulging too much info about the Arkham Knight himself just yet, we do know a couple of facts. First, he’s a brand new character, and he’s making his DC Universe debut in the game. We can see from pictures that he brandishes a large pistol and has taken on a motif similar to Batman’s (pointy ears, chest plate). His “anti-Batman” description also gives him an air that reminds me of the comic book villains Wrath and Prometheus. Whoever he is under that mask, we saw him get the drop on Batman during the demo, so I’m sure he’ll be quite the adversary over the course of the game.

After running through the basic plot points, we finally got to see Batman in action once again. New-gen tech has allowed for a bevy of upgrades and we got to see many of them in action. The biggest change is how Batman gets around. We finally get to drive the Batmobile. A major gameplay pillar this go around, the Batmobile is essential in helping Batman navigate a world that is 20 times larger than Arkham Asylum. But, as brand marketing producer Dax Ginn told us, the Batmobile isn’t the whole game.

“We wanted to be very confident and sure that we didn’t add the Batmobile and it suddenly just felt like a driving game or a driving bolt-on. That was something that was really, really important to us,” Ginn explains. “So, we’ve integrated Batman’s abilities and the Batmobile’s abilities, so that it very much feels like it’s a man and his machine, the integration between the two. You can eject out of the Batmobile to gain insane height, and that sort of augmentation of Batman’s gliding ability is the perfect example of how the Batmobile complements Batman’s features. There’s a lot more the Batmobile can do, but the way Batman gets into the Batmobile, gets out of the Batmobile—those things have really been designed to feel very natural and very organic.”

And from what he showed us, the Batmobile did seem to be more of a complement than the entire experience. In one segment, it launched the Caped Crusader into the night sky allowing Batman to effortlessly glide onto the roof of the building he needed to infiltrate. When Batman was ready to move onto his next objective across town, with a single button press, the Batmobile came roaring around a corner and Batman dropped into the driver’s seat, seamlessly, as Batman then raced off to his next destination. The player was in control the entire time. But between these segments there was still plenty of gliding, fighting, and case solving for the Dark Knight to do.

Also, it should be noted the Batmobile could be used for more than just catapults and driving around town. There are car-chase sequences where Batman can fire debilitating missiles to stop runaway criminals and even Riddler rooms dedicated solely to pushing the Batmobile—and your reflexes—to the limit.

“The role [Riddler] had in Arkham City, he’s more of an engineer. Very physical, constantly covered in a layer of grime, and so we wanted to think about what he would do next, where would he take the motivations he had in the previous game,” Dax says. “Integrating that with the Batmobile was an interesting design choice because he can achieve so much, even just as one guy, but it really comes down to the focus we put on the Batmobile. Driving through Gotham feels incredible, but there’s so much that it can do that the Riddler caves give us an opportunity to design puzzles that are specifically there to push the Batmobile to it’s limits, so we can really give gamers the opportunity to experience the Batmobile in all of its insane facets, not just driving incredibly quickly on the flat. You can drive up walls, drive on the ceilings, but that’s not so easy to do in the open world of the city. But the Riddler circuits can be anything, so that’s where it really starts to get fun and interesting.”

So, yes, the Batmobile can drive up walls. It is confirmed. I saw it do so, and it was amazing. But Batman’s car isn’t the only thing that’s tricked out in Arkham Knight. Gotham’s Guardian has a few new tools as well. In combat, Batman can now utilize the environment, like smashing a thug’s head through a car window, to get instant knockouts.  He can also finally use his gadgets while gliding to get even more of a drop on unsuspecting ne’er-do-wells. And speaking of gliding, the precision while doing so has been increased so Batman can even do 180-degree turns midflight.

Batman: Arkham Knight is looking great—but with only a small taste of the full game so far, I’m eager to see if Rocksteady’s plans indeed pan out. Still, if there’s anyone I trust to make a Batman game, it’s them, so I have faith they’ll be able to deliver on their promises of the best Arkham game yet. Knowing the care and detail that came off in this demo, it’s hard not to believe they’ll come through for Bat-fans everywhere in the end.