Tag Archive: Guardians of the Galaxy


As the new generation of consoles continues to try to gain its footing since last year’s launch, and delays plagued the year almost as much as 2020, some surprising titles emerged to contend for game of the year in 2021. While I felt there were fewer amazing titles this year overall, a handful were still able to claw, ride, or fly their way to the top of my list with ease as I felt they were clearly head and shoulders above the pack. Here are my top five games of 2021.

05Marvel’s Guardians of the Galaxy

I feel like Marvel’s Guardians of the Galaxy personified its main characters in a lot of ways. A bit of an underdog when it was first announced, it arrived on the scene with a “kick as much ass as possible and look fantastic while doing it” attitude that defined this game to its very core. The story took a little inspiration from the films and mixed in a lot of deep cuts from the actual comics to deliver one of the most heartfelt tales of the year, resulting in an experience that stands up as one of the stronger Marvel video games. The combat system that has you play as Star-Lord and command the other four Guardians took a little while to get used to, but once you do it only further accentuated this perfect vehicle for Marvel’s most imperfect heroes.

04Tales of Arise

I am very particular when it comes to JRPGs, but the Tales series has always resonated with me. Never before, though, had one compelled me to 100-percent finish it. Tales of Arise found a perfect balance that the series sometimes struggles with between engaging combat and compelling characters. Here, the total package comes together in a world that I always had difficulty leaving at the end of the day, with characters I always enjoyed hearing banter, and special combo moves in combat that kept every encounter with a new monster or one of the colorful main villains exciting. And with a plethora of sidequests, including some that pay direct homage to games of the past and that only unlock after the main story is finished, Tales of Arise has plenty to offer newcomers and series veterans alike.

03Forza Horizon 5

Towards the end of the year we had just started to see what new-gen consoles could really do, and one of the prime examples of this was Forza Horizon 5. Not only does it maintain the franchise’s high quality of gameplay in terms of driving the best cars in the world, and continue to dominate an entire genre with its blend of arcade and simulation racing options, but this year’s entry—set in a love-letter version of Mexico—is the most beautiful game yet in a series of ever-gorgeous games. Its shifting weather patterns across four diverse seasons (each lasting a real-life week) constantly offer something new in the series’ most diverse map yet, and will leave gamers speechless as they handle hairpin turns along sandy beaches and jump off ramps carved out of Aztec temples. There is no better racing series than Forza at this point, and there’s no better game in that series than Forza Horizon 5.

02Resident Evil Village

Resident Evil 7 was my 2017 game of the year, and after I first played Resident Evil Village, I thought the franchise might’ve gotten my GOTY with back-to-back new entries (the remakes don’t count!). Although it just missed the top spot, Village continued the reluctant hero’s story with RE7 protagonist Ethan Winters, and his forced compliance in order to save his daughter leads us down a celebration of the series and horror in general. Vampires, werewolves, creatures in lagoons, and possessed dolls all served as different motifs throughout and kept the gameplay fresh and fun with ever-evolving challenges. Meanwhile, after dominating the Internet, Lady Dimitrescu harkened back to Nemesis and Tyrant, while flooded ruins spoke to B.O.W.-filled sewers from once upon a time. And finally, Ethan’s eventual uncovering of the truth shined a new light on series lore that made Village feel as monumental as its predecessor.

01Psychonauts 2

I almost feel bad picking this as my game of the year. I know dozens of fellow gamers who had been pining for a sequel to 2005’s Psychonauts for 16 long years.

I had to wait four months.

I missed the original release and never visited the cult classic over the years. And then it hit Game Pass and I decided to rectify that. While I don’t think you need to have played the first game to enjoy Psychonauts 2, going into it with the crazy cast of characters fresh in my mind did enhance the experience. Every major character has an endearing flaw that makes them relatable, whether you’re meeting them for the first time or finally reuniting with them after a decade and a half. Throw in some spectacular platforming, massive and colorful mental worlds to explore, and some of the best writing of the year, and this was a can’t miss experience—no matter how long you had to wait

SPThe “The Colors, Duke! The Colors!” Award presented by Popsicle (not really)
The Artful Escape

While not much in terms of gameplay, The Artful Escape uses a kaleidoscope of bombastic colors and sound to tell a heartwarming coming of age tale that spans the cosmos. Its visually arresting style pulls you in as much as its never-ending guitar riffs as you galavant across unknown galaxies with a motley crew and rock out with aliens. By the end, as your eyeballs have been melted by psychedelic rainbows, you’ll also appreciate the story of a kid trying to overcome the weight of expectations and family legacy through the power of rock ‘n’ roll.

SPThe “Best Game with a Disastrous Launch” Award
Outriders

People Can Fly delivers the action every time they develop something, and Outriders was no different. Eventually.

Playing with friends was an absolute blast, as you could create a three-person powerhouse team with a cross-section of abilities that allowed you to mutilate your enemies in fantastic ways, and would have you cheering well into the night. If you could connect to the servers, or if your gear didn’t mysteriously disappear when you got disconnected.

It took weeks before Outriders ironed out most of its issues, but by then the damage had been done. And while it did in the end deliver a compelling story in a fascinating world, not many stuck around to see it through because of the well-documented disaster that was those first few weeks.

SPThe “What’s Old is New Again” Award
ActRaiser: Renaissance

When the original ActRaiser released over 30 years ago, the idea of “god games” were still incredibly new and had not been done on consoles before. By combining that style of game with action-platforming sections straight out of the arcade, however, ActRaiserdelivered one of the most ambitious blendings of genres seen at the time, and the experiment worked in spades, as it still holds a special place in the hearts of many. And that’s why ActRaiser: Renaissance is so special. It’s not just a massive graphical and auditory overhaul for a modern era, but it looked at what made the original great and streamlined systems, fleshed out storylines, and enhanced the “god game” and tower-defense aspects that made the original such a mind-blowing classic to begin with. 

Lego games are nothing if not consistent, and in today’s gaming world that’s an accomplishment. Here is a series that typically has multiple releases a year and yet still finds a way to maintain a certain level of quality in terms of its gameplay and its humor. Sure, there’s a really simple base to work from, and it’s not like the graphics will push modern hardware to the brink, but the Lego games always deliver an experience the whole family can enjoy from beginning to end. The latest game, Lego Marvel Super Heroes 2, once again maintains the course for the series, and although it also adds a few new bells and whistles, there are a few new issues that crop up along the way, too.

Lego Marvel Super Heroes 2 revolves around classic Marvel villain Kang the Conqueror. Kang has decided to stitch together a world from across both time and the multiverse and dub the resulting mishmash Chronopolis, with all the worst characters from across the timeline pledging fealty to him. Of course, in all these worlds happen to be heroes, too. Now, Marvel’s finest (minus the X-Men, Fantastic Four, and all their related characters) must find a way to band together to stop Kang and his army, and send each part of Chronopolis back to their respective place in the multiverse.

Similar to the previous Lego Marvel game, the story unfolds chapter by chapter from a hub world, in this case the aforementioned Chronopolis. Kang’s powers served as the perfect opportunity to stitch together some favorite alternate Marvel universes like Spider-Man 2099’s Nueva York, Spider-Man Noir’s Noir Universe, Captain America’s Hydra Empire, and current Marvel locales like the Inhumans’ Attilan, the Guardians of the Galaxy’s Knowhere, and an Asgard on the brink of Ragnarok. Each world has its own dedicated story chapter and is full of the kind of childish humor that’s always punctuated the series, with the heroes constantly bumbling over themselves. Throwing in the different universes only adds to the topical humor—fourth-wall breaking references to the Noir world’s sepia tone palette, for instance, and the obligatory mummy jokes in Ancient Egypt. Plus, with 18 different worlds across 20 story chapters this is easily the longest standalone Lego game yet crafted.

Chronopolis is also the largest hub world TT Games has ever created for a standalone Lego game. It’s chock full of hours of content, including racing in the streets, stopping crime—petty criminals as well as villains ranging from well known rogues like Electro to relative unknowns like Sentry-459—taking quizzes about the game, and more. Succeeding at these bonus challenges serve as extra ways to earn classic gold bricks, which can then be used to unlock even more content in the game like bonus levels, and more of the heroes on what is easily the largest roster shipped with any Lego game.

To be fair, though, due to Disney and Marvel’s recent push against promoting the X-Men and other movie properties they don’t control, the roster is a bit artificially bloated with multiple versions of Iron Man, Captain America, Spider-Man, and the like as well as some really obscure heroes and villains from Marvel’s history. As a long time fan of Marvel’s properties, these other characters are sorely missed at times. You can give me as many superhero versions of Gwen Stacy as you want, but I’d still much rather have Wolverine, Storm, Colossus, or Cyclops.

Of course, the lack of X-Men is more a matter of personal preference than something that seriously detracts from the gameplay. As in many of the previous games, there are few differences between a lot of the characters besides aesthetic or personal appeal and maybe a different voice actor. Gameplay-wise most characters fall into only a few categories. The different Captain Americas are somewhat unique because there are switches only their shields can hit, but other characters like Dr. Strange can also reflect energy when the situation calls for it. The family of Hulks are usually fine for whenever you need to smash a wall. And you have your pick of characters that can blast or blow things up with energy: Iron Man, Captain Marvel, Thor, and even Rocket Raccoon. And with the new Ms. Marvel replacing the likes of Mr. Fantastic, and Wasp and Ant-Man’s shrinking abilities, there’s very little from the original Lego Marvel that hasn’t been replicated with different heroes here.

There are a few new gameplay mechanics at least to also take advantage of new heroes, though. There are special mazes that only Ms. Marvel can stretch through, Dr. Strange can use his magic to open up special portals with a line-tracing mechanic, and Lockjaw can teleport to normally unseen parts of a level. This comes on top of the classic Lego mechanics of smashing anything and everything in sight, occasionally rebuilding some of the stuff you’ve destroyed into something new and useful, and collecting the in-game currency, studs, to purchase more heroes and vehicles. Collecting minikits and saving Stan Lee from obvious peril also return as extra ways to earn those precious gold bricks.

Besides the massive scope of Lego Marvel Super Heroes 2’s world and its predictably large roster of characters, the game also introduces levels where as many as five characters can be in your party at once. There are several levels where you’ll be working with the entire Guardians of the Galaxy team, or the entire family of Inhumans. This allows for more complex levels and puzzles with more elements than we’ve seen before. Each character in your party can bring something new to the team to help you progress through a level. For example, Star-Lord can fly, Drax has super-strength, Rocket has beam weapons, Gamora can use her swords, and Groot could turn into a ball and roll on certain switches. By switching back and forth between them, you have different characters interacting with different parts of a stage at different times more than ever before.

There’s a downside to this, however. Back when there were only ever two characters to your team, you knew exactly whom you were switching with when playing the game solo. With five characters on a team, even when you’re facing whom you want to control, you may bounce to entirely the wrong character. This only gets worse when, after leaving a character you were just controlling, the AI decides to run off away from where you left them, or worse yet, get stuck somewhere in the environment that you can’t get them out of without restarting the level. While the added complexity to the levels that the larger teams bring is an obvious way to up the ante from prior games, it’s clear that more bugs have made it through as a result. If TT wants to keep these bigger partiers for the next major Lego adventure, it needs to iron out some of these issues first.

The AI also bugs out with the villains on occasion, with cutscenes either being slow to trigger or boss battles not entering their next stage at all for some reason. With most levels being relatively short—few should take more than 20-30 minutes to complete offering up the game in nice bite-sized chunks for those strapped for time—there are few mid-level checkpoints. Although these bugs were few and far between, they were present enough to warrant a warning here. Having to restart large portions of a level because the game glitched is always frustrating.

The Lego games aren’t just solo experiences, though. Local two-player co-op has been with the series for as far back as I can remember and it returns here and is as solid as ever. When you get too far from your partner, the awkward split-screen returns, compounding the issue of a sometimes already too static camera, but it’s nothing some solid communication can’t correct. Depending on the age of who you’re playing with, though, good luck with that.

There’s also a new addition this go around with a four-player competitive mode for multiplayer. You can now communicate with the Grandmaster at Avengers Mansion in the game, and he will welcome you into one of two games. The first is a take on your standard Deathmatch, but with the added bonus of Infinity Gems falling occasionally from the sky and boosting a player or team. The second requires players to try to paint the ground in their color by walking over blank spots. It loosely resembles something from Splatoon, but quickly can devolve into confusing chaos as players desperately try to score in the tiny arenas. Each mode has four arenas to them as well, and although this isn’t the deepest multiplayer, it makes for a nice addition to the formula. It also raises the question, however, as to why there is still no online functionality in the Lego games.

Lego Marvel Super Heroes 2 is easily the largest and most entertaining standalone project the series has produced yet. There are literally hours upon hours of fun Marvel-themed content to keep games of all ages occupied for long periods of time. Some of the drastic expansion of the gameplay and world size, however, has led to some bugs that can become frustrating at times. If you can look past some of these new technical issues added on top of some pre-existing ones, Lego Marvel Super Heroes 2 should still be a fun action-adventure that the an entire family of Marvel Merry Marching Society members can enjoy.

Publisher: Warner Bros. Interactive Entertainment • Developer: TT Games • ESRB: E10+ – Everyone 10 and up • Release Date: 11.14.17
7.5
Lego Marvel Super Heroes 2 is easily the largest undertaking, outside of Dimensions, for a Lego game yet. More characters and more worlds to explore are punctuated by a humorous story that’s enjoyable for gamers of all ages. Increasing the scope of the Lego games has opened the door for some less than enjoyable bugs to sneak their way at times, though.
The Good Tons of content to keep you busy in Lego Chronopolis for hours on end. The story is fun, and the local versus multiplayer mode was a pleasant surprise.
The Bad Some AI glitches for characters you don’t control, and then trying to switch to those characters, belie some uncharacteristic tech issues from TT.
The Ugly I’ve played way too many Marvel property games this year without the X-Men in them now.
Lego Marvel Super Heroes 2 is available on PS4, Xbox One, PC, and Nintendo Switch. Primary version reviewed was for PS4. Review code was provided by Warner Bros. Interactive Entertainment for the benefit of this review. EGM reviews games on a scale of 1 to 10, with a 5.0 being average.

Telltale’s latest interactive story marks their first foray with a Marvel property, and it’s somewhat fitting that it would be Guardians of the Galaxy. After all, Telltale is becoming so adept at collecting licensed properties to make games about maybe they should change their name to Taneleer Tivan. This new tale offers up some pleasant surprises by smartly blending elements from both Marvel’s movies and comics featuring the Guardians, while returning to Telltale’s own roots some when it comes to gameplay and weighty decisions. It still carries many of the issues seen in more recent Telltale games, though, as Marvel’s Guardians of the Galaxy is plagued with bugs, glitches, and inconsistent writing.

The first episode begins with the Nova Corps once again begging the Guardians for help. Thanos, the Mad Titan, isn’t hunting for Infinity Gems this go around, but instead is after a Kree artifact called the Eternity Forge. No one knows what power the Forge would bestow, exactly, but the fact that Thanos is after it means it is definitely something that should be kept away from him at all costs. Thanos isn’t the only one who has eyes on the Forge, however, as one of the last remaining Kree in the galaxy, Hala the Accuser, sees it as a way to enact revenge on Thanos for pushing her people to brink of extinction.

Marvel’s Guardians of the Galaxy is an interesting venture. Similar to its Batman series, Telltale has decided to step outside what is perceived as canon in either Marvel’s comic or movie universes with this property and tries to forge its own iteration of these characters. In doing so, the team throws off some of the potential creative shackles from pre-established canon, like how they use characters and organizations like the Nova Corps, Yondu, The Collector, Hala, and Thanos. For even a casual Guardians fan, this had all the parts needed for an epic space adventure, and it was a mostly fun one, too. Telltale was able to capture much of the humor and light-heartedness of the Guardians successfully, and utilized each character pulled from Marvel lore to their fullest.

There was a cost for this creative freedom, however, and it came up quickly. Operating outside of known canon meant this adventure couldn’t stand as well on its own, adding problems like having to lengthily explain a lot of the universe since pre-established backstories and encounters no longer necessarily apply. Constant flashbacks into character histories, and even a section that explores how the Guardians first got together, often derailed the pacing of the adventure. Just when it felt like you were going to hit an interesting payoff for whatever “B” or “C” plots that particular episode of the series had introduced, you were derailed by yet another scene of Star-Lord camping with his mom.

These flashbacks also felt like desperate attempts at fleshing out characters who border on being somewhat flat to begin with, since the Guardians’ dynamic and appeal relies so heavily on the group as a whole being polar opposites of one another. Telltale’s writing was at its finest when the group was together and arguing like lunatics. When they inevitably were separated at various points in each episode, the lengthy exposition that would soon follow came off as weak—a problem that is often seen in other Guardians of the Galaxy related-media as well.

The writing also suffers from a lack of consistency, an issue that has become more and more evident as Telltale’s games have become more popular. This has resulted in the company attempting to keep up a breakneck pace to meet a once-high demand. Part of the solution to this is multiple writers working on different episodes. What ends up happening is drastic shifts in tone from episode to episode that can be jarring, particularly when you marathon the episodes once the entire season has been released like I do. Other examples of this include callbacks to previous episodes, which often feel tacked on and out of place. It gives the sense they were added in late, shoehorned into an episode that might’ve been being worked on at the exact same time as the one before it.

What Guardians of the Galaxy does well, though, is help Telltale return to its puzzle-solving roots. Many of its more recent games have shied away from allowing players to actually move around a lot in the world, and instead all the action has been increasingly  heavy on quicktime events. While there are still a fair amount of QTEs here, you also get some time in Star-Lord’s jet boots and get to walk around ancient Kree temples and other places in the universe as you try to figure out some puzzles. There’s even an elevation element, where Star-Lord has to fly in certain rooms to reach potential clues.

The other major gameplay aspect of Telltale games is, of course, making choices. At this point, everyone knows each choice you make can potentially affect gameplay, and I think Guardians did a stellar job at providing branching paths, particularly from episode three onward. There, you have one major decision that causes a drastic shift and can lead directly to many different characters living or dying. In fact, I triggered an ending that only 5.9% of other players received based on my choices. And no, that doesn’t mean just that 94.1% of other players got a different ending. There are multiple endings and results based on whom you befriend and how each situation becomes resolved. This was the first time in quite some time where it felt like my choices really had some weight with a Telltale game.

Of course, this was when the game was working properly. I feel like I’m beating a dead horse each time I review a Telltale game now, but their engine, the Telltale Tool, has not aged well. And because of it, it feels like each subsequent game the company tries to make has more and more technical issues with it. Some are comical, like Star-Lord’s weird speed-walking animation. Why not just let him break out into a run? Others are annoying, but far from game-breaking, like NPCs at the Knowhere bar blinking in and out of existence in the background of a scene with characters talking. But then there are others that are unforgivable.

One glitch nearly made it so I couldn’t finish the game. In chapter four of episode three, right before you make that aforementioned big branching decision, all the Guardians meet with a new friend to discuss how they’ll proceed going forward. No matter what choices you make, the game will glitch here and you won’t be able to talk to the people you need in order to trigger a cutscene that moves the game along. You’ll be stuck, forever, unable to talk to anyone, waiting for a scene that will never happen. I reloaded the checkpoint half-a-dozen times, even going back through all my conversations right before that moment hoping a different path would resolve the glitch, but to no avail.

This is a bug that Telltale is well aware of, is present in both PC and console versions of the game according to some digging, and that still hasn’t been patched even since episode three’s release at the end of August. Luckily, during my digging on the internet, I was able to find that completely quitting out of the game and then starting back up from the last checkpoint should resolve the issue and it did. Anytime a bug requires you to restart your game or your system, though, there’s clearly some technical shortcomings that need to be dealt with, and hopefully, what with all the changes going on currently at Telltale, that ends up happening in future games.

Marvel’s Guardians of the Galaxy: The Telltale Series is not Telltale’s best work. Like most of its other recent projects, its engine is really showing its age, and it’s getting to where the games are almost unplayable at points. The writing for Guardians is also clearly handcuffed by wanting to do something different with an established property, instead of working in pre-determined boundaries, and ended up causing more creative problems than solutions in the long run. That said, there are a lot of touching and even humorous moments in this particular series, showing Telltale’s writers had a strong grasp of the material. Being able to explore the world and walk around as Star-Lord was also a nice throwback to earlier Telltale games, instead of the more quicktime driven ones from recent times. Still, you’d have to be a pretty big fan of Guardians of the Galaxy to occupy your gaming time with this one.

Publisher: Telltale Games • Developer: Telltale Games • ESRB: T – Teen • Release Date: 11.07.17
6.5
There are points where Guardians of the Galaxy is barely playable because of how terrible the engine is. Yes, the story at least has some heart to it, and at key points your decisions feel like they matter. But it mostly feels like Telltale was creatively backed into a corner with this property full of oddball characters, and the end result is far from the studio’s best work.
The Good More gameplay directly in the hands of the player; a decent story that borrows successfully from both Marvel’s comics and movies.
The Bad Game-breaking glitches that really detract from the experience.
The Ugly My spontaneous dancing a la Star-Lord when some amazing songs started playing.
Marvel’s Guardians of the Galaxy: The Telltale Series is available on Xbox One, PS4, PC, iOS, Android, and Switch. Primary version reviewed was for Xbox One. Review code was provided by xxx for the benefit of this review. EGM reviews games on a scale of 1 to 10, with a 5.0 being average.

I got to guest host on Nerd Alert this week with Kim Horcher. We talked about myriad topics, starting with a new Avengers: Infinity War tease!