Tag Archive: ray carsillo


A dose of déjà vu

Like many gamers my age, I grew up with a bevy of great and quirky titles developed by Rare. What I didn’t realize until I sat down with Rare Replay—a celebratory compilation of 30 games developed by the company since its inception in the mid-80s—though, was how much they grew up right alongside me. From thumb-numbing affairs like R.C. Pro-Am for the NES to more refined efforts for the Xbox 360 like Banjo-Kazooie: Nuts & Bolts, Rare Replay is a magnificent showcase of one of gaming’s more beloved developers and how they’ve evolved over the years.

At its core, something like Rare Replay is admittedly nostalgia driven. While reviewing the collection, hours flew by in the blink of an eye as I rediscovered titles like Cobra Triangle (my personal first Rare game from 1989) and Battletoads. And in many cases, the games played just as well now as they did back in the day, with muscle memory taking over after only a few moments—which wasn’t really all that hard considering I only had to remember two buttons usually.

Rare Replay even touts an awesome “behind-the-scenes” series of never-before-seen interviews and features that are unlocked the more you play. These fun “Rare Revealed” unlockables give you insight into your favorite titles and how they came to be, and why certain creative decisions were made—like how Conker became the foul-mouthed squirrel we now know and love, or what the genesis of Battletoads really was.

Of course, even while being swept up in the memories of my childhood and teens, it quickly became evident that not every game in the compilation stood the test of time. My rose-colored glasses cracked a bit in particular when playing Killer Instinct Gold or Snake Rattle ‘n’ Roll, but that’s also to be expected to a degree when covering such a large swath of gaming history.

Where Rare Replay shines brightest, however, isn’t just in how it lets you take a stroll down memory lane. Since it’s unlikely most people have played every title in this compilation, the best moments are really when you discover a game you might’ve missed the first time around. Suddenly, you have another favorite in your gaming library, even if it’s coming from a game older than you are. In my case, that game was 1983’s Jetpac—technically developed by Rare’s eventual founders Tim and Chris Stamper and not the studio itself—that kicks off the collection with some classic early-80s arcade action.

Now, it would’ve been easy enough for Rare to just pull these games together and call it a day, but Rare Replay tries to offer up a slice of originality, too, in the form of the game’s “Snapshots.” All of Rare’s older titles come with five Snapshots—mini-challenges from a specific slice of each game—that will put a player’s skills to the test. Whether it’s defeating a boss without losing a life, earning a high score in less than a minute, or cumulatively playing a game for a certain amount of time over your career, the Snapshots try to offer up something new to pull you back into the NES era if you need some prompting.

While an interesting idea, I would’ve loved for Snapshots to be more varied. You’ll always have a cumulative one, a high score one, a combat challenge, and then maybe a couple that are more specific towards the given game. The most curious decision with Snapshots comes from the fact that not every game has them, though, and they stop altogether once you reach the N64 generation of Rare’s library. If Rare was going to try to implement something new, they should’ve done so uniformly throughout Rare Replay.

And the same goes for a special “Replay” feature in those older games. Similar to the “Rewind” option you see in games like Forza, by pressing the LT button you can actually replay the last few seconds of your game to avoid losing a life and keep going for that high score. A novel idea—even if it somewhat defeats the purpose of those older arcade games—but it’s only available in the older Rare titles.

As fun and as nostalgia-driven as this collection may be, Rare Replay is actually about a lot more than just Rare’s history. A more subtle benefit of the collection may be how it helps pave the way for the highly anticipated backwards compatibility for Xbox One. While you’re downloading and installing the bulk of the collection, separate downloads then start for games that were on the Xbox 360 like Banjo-Kazooie, Perfect Dark Zero, Kameo: Elements of Power, and more. It ends up being nine separate Xbox 360 downloads, plus the Rare Replay collection of the remaining 21 games for 10 downloads total.

The one downside to this is, for the time being, you can only access the Xbox 360 games via Rare Replay, which acts as a sort of emulator launcher—even though each game takes up space separately on your hard drive (close to 50GB for all 10 downloads). That’s supposed to change when backwards compatibility fully comes to Xbox One sometime this fall, and in the meantime, if there are Xbox 360 games you don’t want, you can delete them apart from the main collection. At the very least, the transition between Xbox One and Xbox 360 is quick and relatively smooth after the first time you try it, and by simply holding the menu button, you can switch back to Rare Replay and the Xbox One whenever you want.

Rare Replay is a tremendous collection of great games that show how integral Rare has been to game development for the past 30 years. It may not offer up a lot that’s new gaming-wise, and it may lack some of the company’s biggest hits due to licensing issues (most notably Goldeneye 007 and the Donkey Kong Country series), but there’s plenty here that should still be celebrated. If you’re a Rare fan, there’s no better way to do so than with this compilation.

Developer: Rare Ltd. • Publisher: Microsoft • ESRB: E – Everyone to M – Mature (varies by game) • Release Date: 08.04.15
8.0
A great collection of classic games. Whether you’ve been a fan of Rare for three years or for thirty, there’s something here for everyone, with plenty of gems waiting to be discovered for the first time.
The Good Whether a Rare game junkie or a relative newcomer to their brand, everyone should find something to enjoy.
The Bad Snapshots don’t provide a lot of variety and aren’t available for all titles. Not every game stands the test of time.
The Ugly Even after nearly 25 years, I still can’t beat the Clinger-Winger stage in Battletoads. Damn you, Hypno-Ball!
Rare Replay is a Xbox One exclusive. Review code was provided by Microsoft for the benefit of this review.

A beautiful game

For more than a decade, one of my favorite TV shows has been the BBC series Top Gear. I’m the furthest thing from a car nut, but I’ve always enjoyed the insane stunts they pull. On more than one occasion, the program has played soccer with a variety of cars. So, even though I had never played Supersonic Acrobatic Rocket-Powered Battle-Cars, the predecessor to Rocket League, I expected to be able to immediately jump into the concept.

Funny enough, my hunch proved correct. Rocket League’s entire premise is just playing soccer with cars. You try to deflect a massive ball into your opponent’s net more times than they knock the ball into yours before the 5-minute clock hits all zeroes. What I couldn’t predict, however, was just how damn addicting it would be. Sure, it might not sound like a lot to hold your attention, but its simplicity is why this is one of the best off-the-wall, arcade-inspired experiences you’re likely to find on new-gen consoles. Not to mention, it’s easy to pick up and play but difficult to master—an often-defining quality for games that have a habit of sucking you in as Rocket League did.

This leads me to Rocket League’s greatest strength, its controls. The cars handle like most vehicles in other driving games, with the triggers serving as the accelerator and brakes.

With the face buttons, you can perform a variety of moves normally equated with a traditional soccer game, such as boost, slide, or even jump. You can flip your car to perform bicycle kicks; tackle your opponents at high speeds, causing them to explode and be taken out of the play for a couple of seconds; and even hurtle yourself across the goal line before the ball crosses it to make last-second saves.

I found it difficult at first to do anything beyond just blindly ramming into the ball. But after a dozen or so matches, I could control my car as if it were an extension of myself, stopping on a dime and performing acrobatic feats that shouldn’t be possible in a 2-ton car. I even used the walls, which you can drive along at high speeds, to bounce and re-direct the ball in mid-air.

The problem with performing these stunts, however, is that the game’s camera can’t keep up. It can be set to follow either the player or the ball, but neither option is as effective as I’d like. When it follows the player, the camera hugs the rear bumper pretty tightly, so it’s easy to lose track of the action when I’m taken out of the play or I shoot past the ball.

If the camera follows the ball, the controls change, making it far more difficult to control the car. You can switch between the two on the fly, but the herky-jerky transition isn’t pleasant. Instead, you’ll probably have a better time taking your chances with the default camera. A wider camera option, or even one locked at midfield, would have been a nice solution.

On the other hand, Rocket League excels at offering customization options. Although the choices are only cosmetic in nature, the game offers more than a hundred unlockable items ranging from new car chassis to the color of your boost stream. And something particularly pleasant is that you receive one randomly after each match you play, online or offline, win or lose. After only a few matches, you can make your car look as unique or as generic as you desire.

Unfortunately, the game modes themselves have far fewer options than the vehicles do. The single-player mode matches you against nine computer opponents that you can choose to face one to four times each. The mode doesn’t give you a reason to care, so it only serves as another way to warm up before taking on human opponents online. Both online and offline modes only feature your standard versus match, with the single variation coming from how many players—from one-versus-one to four-versus-four—you want to play with.

Even without many game-mode variations, though, the sole option Rocket League touts is a good one. Most folks probably won’t need more than your standard versus mode, especially if you start playing online with your friends, which is where this game really shines. At the time of this review, the early server issues that were reported seem to have been resolved; I experienced no connectivity or matchmaking problems during the past week. So, if you can look past a wonky camera and put the time into mastering the controls, Rocket League looks to be a nice hidden gem of a game that would make for a great way for you and your friends to get through the dog days of summer.

Developer: Psyonix • Publisher: Psyonix • ESRB: E10+ – Everyone 10 and older • Release Date: 07.07.15
8.0
Despite a few camera issues and lack of modes, Rocket League is a fun, addicting experience that will keep players engaged for a long time.
The Good Plenty of options for customization, surprisingly tight control, and tons of fun when playing with people.
The Bad No depth to the single-player; camera can be a nuisance at times.
The Ugly How badly it shames soccer games with humans.
Rocket League is available on PS4 and PC. Primary version reviewed was for PS4. Review code was provided by Psyonix for the benefit of this review.

Needs to repair some divots

Surprisingly, I have found an appreciation for golf as I’ve gotten older. Sure, I’m more likely to channel Jack Nicholson and swing a golf club at someone than to take it to the links. Now and again, though, I’ll tune into a major championship and see who is making a run. So, I was curious when Rory McIlroy PGA Tour arrived, the return of EA Sports’ long-running golf franchise, which skipped releasing an edition in 2014.

PGA Tour takes no time at all throwing you into a high-stakes, high-pressure situation with its new Prologue. Following cover boy Rory McIlroy down the stretch of his run for the 2014 Open championship, the game introduces you to its three control schemes as McIlroy himself explains how he handles golf’s biggest stages. Whether you choose the simulation-heavy method with no assists, the arcade style in which you can adjust your ball in mid-air, or the old-school three-click system to minimize the human element, each mode seemed as though it could cater to golf gamers of all experience levels.

The most impressive part of the control schemes probably comes from the customizable aspects, though. Since I preferred a hybrid arcade/three-click system, I crafted and saved a custom control set so I regularly landed on the greens. I loved that PGA Tour allowed me to contort its deep selection of controls to make even my ham-handed efforts more enjoyable.

Except for when it came to the short game.

Putting remains, even after all these years, my great nemesis, and additional assists would’ve been nice. While the current system remains similar to those from years past—showing the slope of the green, and the path one should hit the ball on—there’s no clear formula to figure out how to navigate each unique green and how much power to put behind a shot.

Nothing is more frustrating than sending the ball on a proper trajectory, only to have it to skip over the cup because you put too much oomph behind it, or for it to rim out because you shot it a hair to the left or right. If we can have sight lines when driving towards the green, I don’t see why we can’t have them on the greens themselves so we’re not making educated guesses all the time as to where our ball will go.

Putting woes aside, playing the optional Prologue was a great warm-up to re-introduce myself to the franchise. It also illustrated the power of Frostbite 3, since PGA Tour looks better than any golf game has a right to, with even the tiniest of details popping off the screen. The game’s improved ball physics offer more realistic bounces and ricochets, as well. Lastly, load times between holes are a thing of the past, coming now only between rounds of a tournament.

Sadly, players will find few modes after the Prologue. Most online modes have been trimmed to the bare minimum, reminding me of the difficult time the NHL series had coming to new-gen systems last year. The Country Club mode of years past, in which you could start your own online community, has been nixed and even rule modes such as Skins or Battle Golf have been scrapped. Even many of the courses and golfers of years past, including legendary golfers and those that appear on the LPGA, have been entirely removed from the game for unknown reasons. Only stroke and match play remain, online or locally. At the very least, the servers seemed quick and steady when I played.

The newly added Golf Club mode lessens the blow of these losses, but not enough to save the game as a whole. With zany golf balls that can stick to a surface or be remotely controlled through obstacles, Golf Club provides a nice change of pace from your prototypical golf experience. Its 170 or so challenges make you think outside the tee box. Each challenge offers some replayability with three high scores to aim for, and takes place on crazy courses such as the Battlefield 4-inspired Paracel Storm course, which is chock full of par-3s. But this collection of mini-games can’t hide the fact that so many other features have been sacrificed in this year’s game.

In this version, designers have even cut too much from the Career Mode. I don’t mind that the amateur tournaments were removed in favor of putting you right on the tour, but players are at a distinct disadvantage when your created golfer starts at 60 overall but must compete against 80 and 90 overall golfers such as Rory McIlroy. The tournaments’ absence means you don’t have time to build up your golfer’s XP. If you’re cutting the pre-tournaments, at least start me at a 75 or so.

Beyond this, the mode has no substance. You have to play every tournament, unlike the pros who sometimes skip an event to rest before a major championship. The game doesn’t give you a calendar, so you can’t look ahead to figure out where you can make up points, if need be, in the FedEx Cup standings. All you get is some lifeless text-filled screens congratulating you before you’re off to the next tournament. Even the Create-a-Pro feature when you start your career has been scaled back, using template golfer bodies and faces in lieu of the body and face sculpting features of years past.

Rory McIlroy PGA Tour is a step forward for the franchise in some ways, but in many others it’s also a step back. EA Sports has had a difficult time transitioning so many annual franchises to new-gen hardware, but cutting out modes and features is never the way to go. No matter how good your game looks, appearances will never make up for a lack of content.

However, this year’s PGA Tour probably plays better in most areas than it did when Tiger Woods graced the cover. If you want a golf sim that plays solidly and shuffles you from hole-to-hole, PGA Tour will suffice. But if you’re looking for a golf game with substance, you’re better off grabbing a set of clubs and heading to your own local links.

Developer: EA Tiburon • Publisher: EA Sports • ESRB: E – Everyone • Release Date: 07.14.15
6.5
Rory McIlroy PGA Tour plays better in many ways than when Tiger Woods graced the cover, but the removal of so many modes and continuous shortcomings with the short game make this a disappointing debut on new-gen hardware.
The Good Looks better than any golf game needs to. Multiple control schemes and great physics.
The Bad Short game comes up, well, short. Less content than when Tiger Woods was on the cover.
The Ugly The controller I broke after just missing so many par putts.
Rory McIlroy PGA Tour is available on Xbox One and PS4. Primary version reviewed was for Xbox One. Review code was provided by EA Sports for the benefit of this review.

Thousands of athletes who played college football or basketball and had their likenesses used in a video game are about to finally get paid, CBS Sports reports.

Yesterday, US District Judge Claudia Wilken approved the combined $60 million dollar settlement that EA Sports and the NCAA will have to dish out to former players who had their likenesses used in video games, with EA Sports taking the $40 million dollar brunt of it. This will end the claims against the game manufacturer, the Collegiate Licensing Company, and the NCAA over the issue of players’ names, images, and likenesses that were used between 2003 and 2014.

More than 20,000 claims, including over 400 from current athletes, have already been made against EA Sports and the NCAA and the deadline to file is July 31. Claims can be made here.

Players who were most prominently featured and who were in the most games could receive as much as $7,200, said Steve Berman, one of the attorneys fighting for the players. It is possible that that number could increase, though, according to Rob Carey, the second attorney fighting on behalf of the players. Carey says that Judge Wilken could order the standard attorney fee of 33-percent be lowered to 30-percent, which would obviously increase the money pool for the players.

This decision will mark the first time collegiate athletes can legally be paid, and if there are no appeals to slow down the process, payments could start going out as soon as September. This continues a tidal wave of support behind collegiate athletes getting paid for their services on the field beyond just an education, due to the fact that most can’t rely on family support and don’t have the time for a part-time job and therefore don’t have the money to feed or clothe themselves off the field or court.

Recently, I had the chance to talk with the legendary Stone Cold Steve Austin during the filming of his WWE 2K16 reveal trailer. What does the toughest man to ever step inside the squared circle have to say about being named the cover athlete? Hear what he told me in this behind-the-scenes video interview!

WWE 2K16 will be available on October 27 for Xbox One and PS4.

British actress Victoria Atkin reveals how she landed the role of Evie Frye in an interview she did with the LA Times at San Diego ComicCon.

Because Ubisoft always uses full performance capture and mocap suits, Victoria was expected to be able to show her physicality in her audition. It was the exact opposite, though, that seems to have won over the Ubisoft casting people.

“I’m a television and film actress predominantly, so the audition was kind of similar to that,” starts Atkin. “I did a tape from home, although there were instructions to run around the floor and do kicks and jumps and things like that, as well as the normal asides that you’d have for a character.

“The casting director told me that a lot of people followed these instructions and did everything. I looked at those instructions and kind of decided that I was just going to run in, do a kick and a jump, and then stop. So, I rebelled, which is not something that I’d normally do, but apparently the director and everybody loved it because it was the character of Evie from the very start.”

Being able to easily do a London accent sealed the deal and before Victoria knew it, she was off to Quebec to start recording lines.

You can see Victoria as Evie Frye in Assassin’s Creed Syndicate on October 23 for Xbox One, PS4, and PC.

Todd Howard recently revealed in an interview with the Telegraph that both the male and female protagonist in Fallout 4 read over 13,000 lines of dialogue for the game.

Fallout 4 marks the first time in the series where the protagonists will have speaking roles. In order to make sure players didn’t lose that sense of choice, Howard put his voice actors to work on this project.

“We had the same worry as everyone else. A lot of games have voiced characters, but what they don’t want to give up is all the dialogue options. So for us a lot of it was logistical. The voice actors have been recording for 2 years, they’ve each done over 13,000 lines of dialogue. So to be able to do that makes the difference; you still have choice.”

And even though many lines were repeated between the scripts, you can still get completely different scenes depending on if you’re playing as a man or a woman because each actor interpreted the script differently Howard continued.

“We were lucky to find two great voice actors and it’s interesting because she may read things or act things differently than he does. So scenes play out differently depending on whether you are playing the game as male or female.”

The voice actors who had to work those grueling hours delivering all those lines are Brian T. Delaney and Courtney Taylor. Brian is also playing Roland in Halo 5 and Mighty No. 5 in Mighty No. 9 this year. Courtney is probably best known for her work as Jack in Mass Effect 2 and 3 and Amanda Holliday in Destiny.

Fallout 4 will be out on November 10 for Xbox One, PS4, and PC.

Publisher Deep Silver announced today that Yager Development is no longer working on Dead Island 2.

“With Dead Island 2, Deep Silver has always been dedicated to delivering the sequel that Dead Island fans deserve. After careful consideration, today we announce the decision to part ways with development partner Yager. We will continue working towards bringing our vision of Dead Island 2 to life, and we will share further information at a later stage,” Deep Silver said in a statement through a spokesperson.

This comes as a shock to many since Yager had been working on the game for quite some time now. Red flags emerged, however, when it’s mid-2015 release was pushed all the way back into 2016 a couple of months ago.

Yager is best known most likely for developing 2012’s Spec Ops: The Line from 2K. They had taken over the Dead Island franchise from Techland, who developed the first Dead Island and Dead Island: Riptide, after Techland parted ways with Deep Silver to do Dying Light for Warner Bros.

The premise behind Dead Island 2 is that the epidemic that ravaged the fictional island of Banoi in the first game now hits the California coast. Players will be tasked with traveling between Los Angeles and San Francisco while they try to survive the quarantine put in place by the US government.

There is no word yet as to who will replace Yager as the primary developer, or how this will affect Dead Island 2’s planned release for 2016.

Former Assassin’s Creed producer and Ubisoft Toronto managing director Jade Raymond is opening a new studio with EA, the two jointly announced yesterday.

The new studio, named Motive, will be located in Montreal. EA has a strong presence already there with EA Montreal and Bioware Montreal, the latter of which will now share a space with Motive.

Motive will be purposed with creating its own original IP, while also assisting on other projects. Besides launching Motive Studios, Raymond is also taking over leadership of Visceral Games, located in California, while Scott Probst will still act as general manager.  The first project for Raymond and Motive will be to help Amy Hennig at Visceral with her new, still unrevealed Star Wars game.

While it should be interesting to see how Raymond balances her time between Montreal and California, this is a huge coup for EA and we can’t wait to see just what Motive brings to the table for Star Wars and whatever original projects it may cook up.

WWE Legend Stone Cold Steve Austin is turning WWE 2K16 into WWE 2K 3:16.

Stone Cold Steve Austin, a six-time WWE Champion, three-time Royal Rumble winner, and 2009 inductee into the WWE Hall of Fame will officially grace the cover of WWE 2K16 this year. Looking to raise some hell in video game form, the official announcement came via trailer this morning showcasing Stone Cold digging up a key aspect of his past, the Smoking Skulls WWE Championship belt.

Austin was one of WWE’s most celebrated superstars during the Attitude Era of the late 90s, cementing his status as an icon with classic rivalries against Bret “The Hitman” Hart, The Rock, and especially WWE CEO Vince McMahon.

WWE 2K16 will be available for Xbox One, PS4, Xbox 360, and PS3 on October 27.